Christmas Day (arr. Ed Hogan) Sheet Music Preview

Christmas Day (arr. Ed Hogan): SATB Choral Octavo

As performed by Chris Tomlin / As performed by We The Kingdom / Arranged by Ed Hogan

Item: 35-DS00461960

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00461960

More about this title

About the Artist: Chris Tomlin

Chris Tomlin is a singer, songwriter, and worship leader whose compositions have become staples in contemporary Christian music and church settings worldwide. His gift for crafting singable melodies with substantive theological content has made him a trusted voice in modern hymn writing.

Why we love this

Ed Hogan's arrangement captures the contemplative beauty of Tomlin's composition while giving your SATB choir a setting that's both accessible and musically satisfying. The 13-page score provides enough textural variety to keep singers engaged without overwhelming rehearsal time, making it a smart choice for holiday programs that need substance without extensive preparation demands.

What to expect

Warm, reflective, and grounded in genuine reverence. Hogan's orchestration choices translate beautifully to voices alone, creating a setting that feels both intimate and complete, with moments of textural richness that give singers something meaningful to carry.

Who it's for

This arrangement serves choirs ranging from community ensembles to college and high school programs looking for contemporary sacred music that doesn't sound thin or harmonically simplistic. It works equally well for congregational settings where musical sophistication enhances worship without alienating the assembly.

How to get the most out of it

  • Balance the soprano line carefully in passages where it carries the melody; this arrangement trusts your sopranos to shape the tune, so make sure the altos and lower voices support rather than compete.
  • Invest in clarity of text underlay during the early rehearsals. With a contemporary carol, diction matters as much in a choral setting as in the original recording.
  • Shape phrases toward moments of harmonic movement rather than treating each measure as equal. The arrangement has natural breathing points that become clear once you identify where the harmonic rhythm accelerates.

How to use it

Place this on a December concert where you're pairing contemporary and traditional sacred music. It also serves well as an accessible opener for a longer Christmas service or as a complement to instrumental ensemble numbers, providing vocal contrast without requiring a large ensemble.

Skills your students will build

  • Balancing four-part harmony with idiomatic contemporary melodic writing
  • Shaping longer phrases through harmonic rhythm rather than surface-level dynamics
  • Singing with rhythmic precision in a style that emphasizes natural speech patterns
  • Sustaining musical line through passages with minimal rests

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