Christmas Concerto (Solo Trumpet, Clarinet, Flute, or Alto Saxophone and Band): Concert Band Conductor Score & Parts
Trumpet, Clarinet, Flute, or Alto Saxophone Solo Feature
Arr. Robert W. Smith
Grade: 2 (Easy)
Item: 00-PK-0002000
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmas Concerto (Solo Trumpet, Clarinet, Flute, or Alto Saxophone and Band): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Arranger: Robert W. Smith

Robert W. Smith stands among the most frequently performed concert band composers in America, with over 400 published works to his credit. He earned his Bachelor of Music Education from Troy State University and completed graduate studies at the University of Miami, establishing himself early as a composer whose music reaches both developing and advanced ensembles across North America, Europe, Australia, and Asia.
Beyond the concert hall, Smith's compositions and arrangements have appeared on major television broadcasts, from the opening of the Macy's Thanksgiving Day Parade to Olympic coverage, and he has conducted clinics and performances internationally. His symphonic works, including The Divine Comedy and The Odyssey, alongside accessible pieces like The Tempest, have become foundational to band repertoire at all levels.
Why we love this
Smith takes three beloved carols and transforms them into genuine solo concerto experiences rather than simple arrangements. The flexibility to choose between trumpet, clarinet, flute, or alto saxophone means you can feature different soloists across a concert, and the Grade 2 scoring keeps the ensemble writing accessible while the solo part remains musically rewarding.
What to expect
The familiar comfort of classic carols meets the sophistication of orchestral scoring, with the band providing warm harmonic colors behind a soaring solo voice. These are celebratory, clear-headed arrangements that honor the melodies while adding instrumental sparkle and ensemble depth.
Who it's for
Directors seeking showcase opportunities for strong section leaders or small group soloists, especially those working with Grade 2 bands that still want mature programming. This works equally well for band students preparing for solo and ensemble contests or for winter concerts where you want variety in texture and instrumental color.
How to get the most out of it
- Balance the solo line so it projects above the band without requiring excessive dynamic contrast; this lets ensemble members play at healthier dynamic levels and maintain ensemble cohesion.
- Work the solo part separately from the full band first, establishing clear phrasing and articulation choices before bringing them together.
- Adjust tempo slightly based on which solo instrument you select; each voice has different acoustic properties and what feels natural on trumpet may need tweaking for flute or saxophone.
- Encourage your soloist to shape familiar melodies freshly rather than defaulting to overly sentimental phrasing; letting the harmonic support from the band inform the interpretation usually yields better results.
How to use it
Program the three carols together as a suite to open or close a holiday concert, alternating soloists to keep the program interesting and give multiple band members a moment in the spotlight. You might also extract individual carols to space throughout a concert, or feature each one with a different solo instrument across several winter programs.
Skills your students will build
- Leading a larger ensemble as a soloist from within a full band texture
- Phrasing and shaping familiar melodies in a sophisticated harmonic context
- Balancing projection with musicality at Grade 2 technical level
- Articulation clarity in ensemble settings with prominent solo writing