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Christmas Comes But Once a Year: PianoTrax Digital Audio Download

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Christmas Comes But Once a Year Cover Image

Christmas Comes But Once a Year: PianoTrax Digital Audio Download

Words and music by Jay Althouse

Item: 00-A-00014663

$9.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00014663

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored with the Distinguished Alumni award. His career spans both the publishing side of music education and active composition; he spent eight years managing rights and licenses for a major educational publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has amassed over 800 choral works across all difficulty levels, with performances spanning the English-speaking world.

Althouse's contributions to music education extend well beyond his compositions. He has co-written children's musicals with his wife Sally K. Albrecht, edited respected vocal solo anthologies including Folk Songs for Solo Singers, and authored several classroom resources such as Ready to Read Music and One-Page Composer Bios. His collaborative work with Albrecht on I Hear America Singing reached a national audience when it was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. A writer member of ASCAP and regular recipient of the ASCAP Special Award, Althouse continues to shape choral music education through his service on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse knows what works for holiday programming without relying on oversaturated arrangements or heavy theological weight. The secular approach here opens doors for diverse choral settings and concert contexts where a straightforward celebration of the season resonates more than reverence. With a recorded accompaniment at your fingertips, your singers focus on musicianship rather than finding a pianist.

What to expect

Warmth and directness. This is the kind of carol that trusts sincerity over sentiment, letting the text carry meaning while the music provides a clear, singable framework. Performers and listeners both feel welcomed rather than lectured.

Who it's for

Any choir director seeking accessible, effective holiday repertoire that doesn't demand elaborate staging or complex arranging. The recorded accompaniment makes it practical for groups without consistent piano support, and Althouse's straightforward compositional approach serves both high school and community choirs equally well.

How to get the most out of it

  • Balance the melody clearly against the accompaniment; the recording is designed to support rather than overshadow, so your choir's line should always be the primary voice in the room.
  • Establish a steady tempo before the first rehearsal with the track so singers aren't chasing the recording's pace.
  • Let the recorded accompaniment breathe during sustained passages; resist the urge to press forward even if you feel the slightest drag.

How to use it

Place this mid-concert to build connection with an audience before moving into heavier seasonal selections, or use it as a lighter counterpoint if your holiday program leans heavily toward complex or sacred works. It works particularly well in community settings or informal performances where accessibility enhances rather than diminishes impact.

Skills your students will build

  • Singing with clear diction in a secular text
  • Following a recorded accompaniment without live piano support
  • Balancing ensemble blend when the accompaniment is pre-recorded and non-responsive

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