Christmas Cello-bration: 2nd Violin
Cello Section Feature (Featuring: What Child Is This? / Oh Come, Oh Come Emmanuel / Angels We Have Heard on High)
Traditional / arr. Bob Phillips
Grade: 2
Item: 00-PC-0017343_VN2
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmas Cello-bration: 2nd Violin comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Arranger: Bob Phillips

Bob Phillips is a conductor, composer, and string pedagogue whose career spans decades of innovative work in ensemble education. Since 1953, he has established himself as a leading voice in large group instruction and eclectic musical styles for strings. His published output exceeds 200 works for orchestras and bands, and he has authored 25+ instructional series including all six levels of Sound Innovations. Phillips founded the Saline Fiddlers Philharmonic, which built an international reputation while performing over 80 shows annually, and he served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years.
Over 27 years in Saline, Michigan, Phillips built a string program that grew to over 700 students and became a national model for excellence across both classical and contemporary idioms. His students have performed at state and national conferences, and his instructional DVDs, String Clinics to Go, have reached thousands of teachers. Recognized as an award-winning ASCAP composer, his arrangements and original works appear regularly at the Midwest Clinic, and his groups have performed at the White House and major festivals.
Why we love this
Phillips has crafted an arrangement that gives cellos genuine musical authority while keeping technical demands reasonable for Grade 2 players. The three-minute medley flows naturally between beloved carols, and centering most of the cello line on the A-string eliminates register shifts that often trip up younger cellists, letting them focus on tone and phrasing instead. Pairing this with modest third position work for first violins keeps the entire section engaged without creating a two-tier skill level within the ensemble.
What to expect
Warm and accessible, this medley allows the lower strings to shine through music that audiences recognize and love. The familiar melodies create a joyful, celebratory atmosphere while the arrangement respects the students' skill level, avoiding false complexity in service of genuine musical expression.
Who it's for
Grade 2 string orchestras that are ready to feature their cello section with purpose and musicality. This arrangement works beautifully for ensembles where cellists have solid fundamentals in first and second positions and are beginning to explore third position as a natural extension of their range.
How to get the most out of it
- Bring out the cello melody prominently in your balance; these familiar carols will resonate most when the audience clearly hears the tune sung through your lower voices.
- Work the A-string tone quality in sectionals before rehearsing with the full group. A-string playing often sounds thin when cellists are learning, so address bow weight and contact point specifically.
- Lean into the lyrical character of these carols by encouraging cellists to think in long phrases rather than measure-to-measure. A sustained, singing tone will elevate the arrangement beyond functional accompaniment.
- Keep upper strings transparent during cello melody passages. Avoid the temptation to let first violins drive the texture simply because they are more familiar with higher positions.
How to use it
This fits naturally into a winter concert program as a feature moment for your cello section, or as a bridging piece between more substantial works. The 3:20 duration and accessible charm make it ideal for holiday performances, school assemblies, or community concerts where you want to showcase growth without overwhelming younger players.
Skills your students will build
- Playing in third position for cellos with emphasis on A-string navigation
- Reading and performing familiar melodic material with independence and leadership
- Sustaining legato lines across multiple positions without shifting anxiety
- Understanding balanced ensemble texture when a lower voice carries the primary melody
- Building tone quality on the A-string at Grade 2 level