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Christmas Carol Fantasies for Viola and Piano: Viola and Piano Book

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Christmas Carol Fantasies for Viola and Piano Cover Image

Christmas Carol Fantasies for Viola and Piano: Viola and Piano Book

By Katrina Wreede

Grade: 2.5

Item: 36-52720024

$14.95
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Description
Intermediate level, on the jazzy/contemporary side. Contents: Coventry Carol; O Come, O Come, Immanuel; God Rest Ye Merry, Gentlemen; Lo, How a Rose E'er Blooming; Bring a Torch, Jeanette Isabella; O Blue Sanctissima; Companions, All Sing Loudly; I Saw Three Ships.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876320-5
ISBN13: 978-1-62-876320-1
UPC: 660355117411
SKU: 36-52720024
Instrumentation: Viola and Piano

More about this title

Why we love this

Wreede's arrangements strip away the oversaturated sentimentality that plagues most holiday repertoire for strings. Each carol gets a contemporary harmonic refresh that keeps the melodies instantly recognizable while the jazz inflections and syncopated accompaniments make these feel genuinely fresh in rehearsal and performance.

What to expect

Familiar carols reimagined through a jazz-inflected harmonic lens. The viola line remains melodically direct and singable, but the piano accompaniments shimmer with contemporary voicings, rhythmic bounce, and unexpected harmonic turns that make these arrangements feel both reverent and alive.

Who it's for

Intermediate violists who want holiday season performance opportunities without relegating themselves to background roles in ensemble arrangements. This book works equally well for violists in private lessons seeking repertoire beyond standard method books and for school string programs looking to showcase individual players at winter concerts.

How to get the most out of it

  • Anchor the dotted rhythms in the piano part first; once your accompanist locks that syncopation, the viola line sits much more naturally over it rather than against it.
  • Experiment with rubato in the slower carol arrangements. The contemporary harmonies can handle subtle pushes and pulls that honor the hymn-tune origins without feeling stiff.
  • Balance the viola tone toward warmth in the middle register where these melodies sit. Jazz voicings reward a richer, rounder sound than classical arrangements typically ask for.
  • Mark your editions early with breath points and phrase shapes. The intermediate difficulty sits mostly in the rhythm and harmony rather than technical demands, so clarity of line matters enormously.

How to use it

Program individual selections as intermission pieces or as part of a string soloist showcase during winter concerts. The intermediate level and performance length of each carol makes them ideal for filling program slots that sit between larger ensemble numbers without requiring substantial rehearsal time.

Skills your students will build

  • Reading and executing syncopated rhythms over swing-influenced accompaniments
  • Interpreting contemporary jazz harmonies in a classical string context
  • Balancing melodic projection with stylistically appropriate phrasing in a non-classical idiom
  • Ensemble communication with piano across syncopated time feels

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