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Chorales and Beyond-Trombone: Trombone Method Book

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Chorales and Beyond-Trombone Cover Image

Chorales and Beyond-Trombone: Trombone Method Book

By Timothy Loest, Chip DeStefano

Item: 98-BB211TBN

$6.50
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Description
This incredible resource is an ideal way to expand or vary the daily routine of your ensemble while developing essential fundamental concepts of sound and intonation. Daily routines cover breathing, long tones, pitch matching, intervals, scales, arpeggios, chords and chorales. All chorales are written in four-part harmony with all parts appearing in each instrument book for ultimate flexibility with instrumentation. Centered around 10 common major and minor keys, each includes a daily routine and three cycles that can be used to provide constant variety and freshness. Personal warm-ups and musical terms are also included along with vibrant and engaging percussion writing from longtime master educator and percussionist Kevin Lepper!

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Additional Details
Series: Chorales and Beyond
Publisher: The FJH Music Company, Inc.
ISBN10: 1-61-928186-4
ISBN13: 978-1-61-928186-8
UPC: 241444377208
SKU: 98-BB211TBN

More about this title

About the Composer: Timothy Loest

Timothy Loest

Timothy Loest has shaped instrumental music education through thirty years of classroom teaching and prolific compositions performed by ensembles across the country. His pedagogical approach emphasizes both technical mastery and musical growth, principles evident in method books including Measures of Success and Warm-ups and Beyond. In 2017, his orchestral work Cloud Gate drew over 5,000 listeners to Chicago's Millennium Park, and that same year he earned the Illinois Grade School Music Association's highest recognition for excellence in music education.

Loest founded Fanfare Music Press in 2022 to continue publishing thoughtfully crafted compositions and arrangements for bands at all levels. His music has been featured on network television including The Tonight Show and Good Morning America. He holds degrees from Illinois State University and Northwestern University, maintains ASCAP membership, and continues accepting commissions while residing in Illinois.

Why we love this

The ten-key framework provides genuine variety without overwhelming students or directors. Each key cycle repeats the same pedagogical sequence, which trains consistency while the harmonic content keeps ears fresh and engaged across weeks of rehearsals.

What to expect

Purposeful and systematic without feeling mechanical. The progression from isolated long tones through intervals to full chorales has a natural arc, and the three cycles within each key create rhythm and forward momentum across rehearsal weeks.

Who it's for

Band directors seeking a structured yet flexible daily warm-up system that develops intonation alongside fundamental technique. Trombone sections working toward ensemble blend and confidence in reading four-part harmony will find the consistent key-based approach especially valuable.

How to get the most out of it

  • Start with unison long tones in the chosen key before moving to the four-part chorales; this grounds pitch collectively before adding harmonic complexity.
  • Rotate through the three cycles within each key rather than completing all cycles before moving forward; this prevents plateauing and maintains student interest across the week.
  • Let the percussion writing drive ensemble cohesion during scale and arpeggio passages; Lepper's accompaniments are designed to support rhythm section timing and intonation.
  • Use the harmonic content of each chorale to preview upcoming repertoire in the same key, connecting warm-up material directly to concert works.

How to use it

Reserve the first ten minutes of rehearsal for a single key and its assigned cycle, rotating through all ten keys across consecutive weeks. This gives students predictable anchor material while the percussion accompaniments add color and engagement to otherwise traditional warm-up work.

Skills your students will build

  • Breath control and sustained tone production across the range
  • Pitch matching and intonation adjustment within harmonic context
  • Interval recognition and accurate tuning across major and minor tonalities
  • Four-part harmonic reading and sectional blend
  • Scale and arpeggio fluency in ten common keys
  • Rhythmic precision and ensemble synchronization with accompaniment

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