Chorale from Concord: Concert Band Conductor Score & Parts
Arranged by Robert Longfield
Grade: 3
Item: 35-PK00415590
Digital Download
$55.00
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Description
Commissioned by The United States Marine Band and premiered in 1987, Clare Grundman's "Concord" has remained a staple in the wind band repertoire. The middle section of this work is a beautiful chorale based on the early hymn "America" composed by William Billings. Adapted here as a stand alone piece for younger bands, this is a stunning example of lyric writing and glorious harmonies. Dur: 1:40
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Robert Longfield has built a respected career as an arranger and composer for wind ensembles, with particular skill in adapting existing musical material for younger and developing bands. His arrangements preserve the integrity of original compositions while making them accessible to performers still building their technical foundation.
Why we love this
Longfield's arrangement respects Grundman's harmonic language while creating an entirely playable experience for Grade 3 bands. The chorale texture means every section sings, and the American hymn tune provides immediate musical substance that students recognize and connect with emotionally.
What to expect
Quiet dignity infuses this work. The chorale unfolds with reverent calm, built on a foundation every band director recognizes from the opening notes. Billings' melody sits comfortably in the range of developing players, supported by warm harmonies that invite students into the beauty of four-part writing.
Who it's for
Intermediate concert bands seeking substantial yet approachable repertoire that teaches musicality and voice independence. Directors looking to program American hymn tune settings will find this a more sophisticated alternative to simpler folk song arrangements.
How to get the most out of it
Balance the inner voices carefully; the beauty of this chorale lives in the four-part writing, so resist the urge to let the melody dominate.
Shape each phrase with gentle dynamic arcs rather than holding at a single volume level throughout.
Work the intonation of sustained chords in sections before full ensemble rehearsals; Grade 3 players benefit from hearing the sonority in smaller groups.
Allow space for silence between phrases. This isn't a piece to rush; breathing room lets the harmonies breathe.
How to use it
This works beautifully as a concert opener or closer when you want to establish a thoughtful mood. Consider pairing it with other Grade 3 American repertoire or positioning it alongside a lighter selection to create dynamic contrast.
Skills your students will build
Sustaining lyric phrases with consistent tone quality
Reading and balancing four-part chorale texture
Intonation adjustment in sustained harmonic movements
Shaping longer melodic lines with intentional phrasing
Listening to inner voices and ensemble sonority
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