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Chorale Fantasias I: Organ Book

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Chorale Fantasias I Cover Image

Chorale Fantasias I: Organ Book

Opus 27, 30, 40/1&2

By Max Reger / ed. Martin Schmeding

Item: 98-EP11591

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Description

The seven chorale fantasias by Max Reger are among the most important of organ repertoire — masterpieces blending chorale melody and programmatic music based on the text of the chorales.



Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding.



As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications.



Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition.

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Additional Details
Publisher: Edition Peters
Page Count: 96
ISBN10: 0-014-13511-6
ISBN13: 979-0-014-13511-9
SKU: 98-EP11591

More about this title

About the Composer: Max Reger

Max Reger (1873, 1916) was a German composer and organist whose prolific output bridged Romantic and early modern idioms. He brought the organ back into the concert hall during a period when it was primarily a liturgical instrument, and his technical mastery of counterpoint and harmonic language made him one of the most significant organ composers of his generation. His chorale fantasias remain central to the repertoire, combining Lutheran hymn texts with symphonic development and programmatic depth.

Why we love this

Schmeding's revision restores the interpretive clarity that modern organs demand while honoring Reger's intricate dynamic and registration markings, many of which were lost or obscured in previous editions. For organists working on substantial repertoire, this is the text that lets you unlock what Reger actually wrote without guessing at his intent. The pairing of chorale melody with sophisticated harmonic language creates a natural bridge between liturgical tradition and concert performance.

What to expect

Reger's chorale fantasias unfold with the grandeur of a symphonic poem, each one building elaborate musical structures around a single hymn. The listener moves through intricate harmonic landscapes and contrapuntal textures that honor the spiritual weight of the chorale text while exploring it through modernist compositional techniques. There is both reverence and intellectual rigor here, demanding organists engage fully with the score's density.

Who it's for

Advanced organists and conservatory students working toward concert repertoire or examination requirements will find this edition essential. Church musicians looking to perform chorale fantasias in recital settings benefit from Schmeding's clarification of Reger's original intentions, which supports both liturgical and secular contexts.

How to get the most out of it

  • Map the registration indications early in your preparation. Reger's original markings specify manual changes and stop combinations that shape the piece's architecture; treating them as suggestions rather than blueprints flattens the emotional arc.
  • Balance the chorale melody against the accompanimental texture by understanding where Reger expects it to project over dense counterpoint and where the texture recedes. His dynamic markings guide this, but your instrument's acoustic will demand final adjustment.
  • Address the pedal part with particular attention to clarity. Reger's contrapuntal writing often gives the pedals independent melodic responsibility; rushing through passages muddles the very text-painting Reger intended.
  • Coordinate manual changes with phrase structure rather than strictly by registration symbol. Listening to where the musical argument shifts will help you execute transitions that feel natural rather than mechanical.

How to use it

These fantasias work powerfully as standalone recital pieces or as anchors for programs pairing Reger with other Romantic organ works. Consider programming one as a centerpiece in a concert exploring the organ's role in early 20th-century concert life, or use them in a liturgical setting where you want to highlight the meeting of traditional hymn and contemporary musical language.

Skills your students will build

  • Reading and interpreting complex dynamic and agogic markings across multiple staves and manuals
  • Pedal independence in contrapuntal textures with independent melodic lines
  • Registration planning and execution on mechanical action organs
  • Text-painting and programmatic interpretation through harmonic and timbral choices
  • Legato pedal technique requiring precision and weight distribution
  • Managing dense polyphonic textures while maintaining chorale melody clarity

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