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Chorale and Mystic Chant: Concert Band Conductor Score

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Chorale and Mystic Chant Cover Image

Chorale and Mystic Chant: Concert Band Conductor Score

By Timothy Loest

Grade: 1

Item: 98-B1236S

$12.00
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Description
A beautiful hymn with rich harmonies and suspensions opens this fine work for beginning bands. As the lyrical melody reaches a final cadence, the piece then moves into a bombastic chant with a wealth of percussion. The theme is presented in different textures and students will explore the basic components of a fugue in an easy setting. Listeners and performers alike will be excited by the rhythmic drive of the percussion. In addition, consider using the opening as a daily chorale to work on intonation with your ensemble.

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Additional Details
Series: FJH Beginning Band
Publisher: The FJH Music Company, Inc.
UPC: 241444473788
SKU: 98-B1236S

More about this title

About the Composer: Timothy Loest

Timothy Loest

Timothy Loest has spent over thirty years in the middle school classroom, where he developed a keen sense of what young musicians actually need to learn and enjoy. His compositions and arrangements are performed by student ensembles across the country, and his work has garnered national recognition including the Illinois Grade School Music Association's Cloyd Myers Memorial Award for Excellence in Music Education. In 2017, his composition Cloud Gate drew an audience of over 5,000 at Chicago's Millennium Park.

Loest's prolific output spans multiple publishers including FJH Music Company, C.L. Barnhouse, and his own Fanfare Music Press, founded in 2022. He has contributed arrangements and original compositions to acclaimed method books such as Measures of Success and Warm-ups and Beyond, and his music has appeared on television broadcasts including The Tonight Show Starring Jimmy Fallon and Good Morning America. A graduate of Illinois State University and Northwestern University, Loest holds ASCAP membership and continues to accept commissions for band and wind ensemble.

Why we love this

Loest constructs this work with genuine pedagogical intent: the opening chorale gives you a daily tool for intonation work, while the fugue-inspired section that follows introduces formal compositional concepts without overwhelming beginning players. The percussion writing transforms what could have been a simple theme statement into something energetic and engaging for the entire ensemble, making this a piece that works hard in rehearsal while sounding polished in performance.

What to expect

The opening unfolds with hymn-like reverence, rich with suspensions that give young players something real to listen for. The turn toward the chant brings a sudden shift in energy and texture, where rhythm and percussion vitality push the piece forward with surprising excitement and drive.

Who it's for

Beginning band directors who want a single piece that addresses both rehearsal technique and concert performance. This works equally well for a festival entry, a full concert slot, or as a springboard for daily intonation practice with your ensemble.

How to get the most out of it

  • Balance the opening chorale so the suspensions and harmonic movement register clearly; this isn't background music. Slow it down enough that intonation adjustments matter.
  • Let the percussion drive the rhythmic energy in the chant section. If they lock in with confidence, the winds will follow naturally.
  • Highlight how the theme transforms across different textures. Bring this architectural choice to the audience's attention through deliberate dynamic contrast between sections.

How to use it

Open a spring concert with this piece to set a more sophisticated tone than your program's opening typically requires. The opening section also makes an ideal daily warm-up routine outside of rehearsal, giving students a reason to engage with the full score beyond the performance itself.

Skills your students will build

  • Voice leading and harmonic suspension in four-part writing
  • Recognition of fugal structure and imitative entry patterns
  • Intonation tuning in chord-based contexts
  • Rhythmic independence and precision with active percussion accompaniment
  • Dynamic contrast and balance across ensemble textures

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