Choral Church Cantata: Hemmt eure Tränenflut Cover Image

Choral Church Cantata: Hemmt eure Tränenflut: Choral Works (inc. Oratorios)

$7.50 USD
$7.50 USD
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Choral Church Cantata: Hemmt eure Tränenflut Cover Image
Choral Church Cantata: Hemmt eure Tränenflut: Choral Works (inc. Oratorios)

Choral Church Cantata: Hemmt eure Tränenflut: Choral Works (inc. Oratorios)

Madrigal (Cantata) for 4 Voices (Soli or Mixed Choir), Strings and Basso Continuo

By Nicolaus Bruhns / ed. Fritz Stein

Item: 98-0014040077
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Original item: EP5836-CHP

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-01-404007-7
ISBN13: 979-0-0140-4007-9
SKU: 98-0014040077

More about this title

About the Composer: Nicolaus Bruhns

Nicolaus Bruhns (1665-1697) was a German Baroque composer and organist active in Lübeck during the final decades of the seventeenth century. His output, though modest due to his early death at thirty-two, demonstrates command of both sacred vocal music and keyboard works that place him among the most accomplished North German composers of his generation.

Bruhns's sacred music reflects the rich contrapuntal tradition of his region and the influence of the German chorale. His choral works, including cantatas and motets, remain valuable for ensembles seeking substantial Baroque repertoire that balances accessibility with genuine musical substance. His compositions have been preserved and published through Edition Peters, making them available to modern performers who wish to explore the deeper reaches of the Baroque choral canon beyond the most frequently performed masters.

Why we love this

Bruhns's cantata writing combines genuine contrapuntal integrity with the lyrical warmth characteristic of German Baroque sacred music. This piece gives singers access to a composer whose work deserves far wider performance than it currently receives, and the text-driven emotional depth makes it genuinely rewarding to rehearse and perform.

What to expect

The work unfolds with the contemplative gravity of German Baroque devotion, its polyphonic textures creating a sense of intimate spiritual conversation rather than grand declamation. The harmonic language occasionally ventures into shadow and restraint, giving the piece an introspective character that deepens with each phrase.

Who it's for

This cantata suits choirs comfortable with Baroque counterpoint and German text who want to expand beyond the standard repertoire. It works well for advanced high school choirs, collegiate ensembles, and church music programs seeking substantial sacred music from the pre-Bach German tradition.

How to get the most out of it

  • Attend to the harmonic language carefully; Bruhns uses unexpected chromatic voice-leading to intensify moments of spiritual weight. Clear ensemble intonation in sustained passages will let this writing breathe.
  • Balance the choir's blend against the text's emotional arc. The opening suggests restraint and introspection, which should inform vowel shaping and dynamic control throughout.
  • Consider the work's liturgical context when rehearsing phrasing. German Baroque sacred music often benefits from subtle phrase breathing that honors the text's declarative moments without stopping the line.

How to use it

Pair this with other North German Baroque works for a program exploring the regional tradition before Bach's dominance, or use it as a substantial choral centerpiece in a service focused on German sacred music. At twelve pages, it offers enough substance to anchor a concert while remaining practical for rehearsal schedules.

Skills your students will build

  • Reading Baroque German text with stylistic awareness
  • Balancing independent voice lines in dense counterpoint
  • Identifying and executing chromatic voice-leading in Baroque harmonic language
  • Shaping long melodic lines within the contrapuntal texture
  • Ensemble intonation in complex harmonic progressions

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