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Choral Anthology 4 for Mixed Choir (SATB): Choral Works (inc. Oratorios) SATB Book

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Choral Anthology 4 for Mixed Choir (SATB) Cover Image

Choral Anthology 4 for Mixed Choir (SATB): Choral Works (inc. Oratorios) SATB Book

By Eriks Ešenvalds

Item: 98-EP72683

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Description

Born in 1977 in Latvia, Eriks Ešenvalds is an original and sought-after voice of the Baltic music tradition. Commissioners have included the Latvian Radio Choir and State Choir 'Latvija', the Britten Sinfonia, Trinity College Choir Cambridge, Temple University (USA), the Boston Symphony Orchestra and City of Birmingham Symphony Orchestra. His work is recorded on a number of CDs. Eriks Ešenvalds is a former Fellow Commoner in Creative Arts at Trinity College, University of Cambridge. This choral anthology contains 8 pieces for Choir SATB.

  • Magnificat
  • Nunc Dimittis
  • Northern Lights
  • Rivers of Light
  • The Heavens' Flock
  • The NewMoon
  • The Earthly Rose
  • Psalm 67

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 92
ISBN10: 0-577-01018-2
ISBN13: 979-0-577-01018-2
UPC: 9790577010182
SKU: 98-EP72683

More about this title

About the Composer: Eriks Ešenvalds

Eriks Ešenvalds (born 1977) represents a vital contemporary voice in Baltic choral music. His works have been commissioned by some of Europe's most prestigious institutions, including the Latvian Radio Choir, Trinity College Choir Cambridge, and the Boston Symphony Orchestra, establishing him as a composer whose music bridges liturgical tradition with modern sensibility.

Ešenvalds has served as a Fellow Commoner in Creative Arts at Trinity College, University of Cambridge, and his compositions appear on numerous recordings. His writing combines the harmonic language of Northern Europe with a gift for word-painting and spiritual depth, making his work particularly valued by choirs seeking repertoire that is both accessible and artistically substantial.

Why we love this

This anthology gathers eight works that showcase Ešenvalds' distinctive approach to choral writing: pieces that balance spiritual contemplation with vivid musical imagery. The range spans liturgical settings (Magnificat, Nunc Dimittis, Psalm 67) alongside concert works inspired by nature and light, giving your singers substantial, singable material that rewards careful rehearsal without requiring extreme technical demands. For directors programming across sacred and secular contexts, this single volume offers genuine artistic depth at multiple difficulty levels.

What to expect

Ešenvalds' writing evokes the luminous clarity of Northern light and the harmonic richness of Baltic musical tradition. These pieces feel contemplative and spacious, with moments of unexpected harmonic color and text-painting that create vivid imagery; they are music that asks singers to listen deeply to one another while carrying listeners into meditative or transcendent emotional spaces.

Who it's for

This anthology serves intermediate to advanced mixed choirs seeking contemporary repertoire with substance. Directors building programs that include both sacred and secular works will find material suitable for concert performances, liturgical services, and festival competitions.

How to get the most out of it

  • Approach the text setting with attention to natural word stress; Ešenvalds' rhythmic independence across voices often flows more naturally when singers understand the language meaning rather than imposing external phrasing.
  • Balance the rich harmonic language by maintaining clarity of line in inner voices, particularly in works like Northern Lights where sustained chords require steady intonation and collective breath control.
  • Allow space for the poetic imagery to emerge; these pieces benefit from singers understanding the emotional arc of each text and shaping phrases accordingly rather than maintaining uniform dynamics throughout.
  • Explore the optional divisi carefully; many of these works include divisi passages that can be performed as written for added color or consolidated to single lines for smaller ensembles.

How to use it

Individual pieces from this anthology pair well with both classical and contemporary works in concert programming. Consider programming Magnificat or Nunc Dimittis within a liturgical or sacred music series, and use concert pieces like Northern Lights or Rivers of Light as contrasts to more dramatic repertoire. The variety allows you to select specific works for different performance contexts rather than committing your ensemble to the entire anthology at once.

Skills your students will build

  • Independent harmonic thinking and sustained intonation in extended chordal passages
  • Text expression and interpretation in contemporary choral writing
  • Balance of divisi voicing and awareness of inner voice independence
  • Sensitivity to harmonic color and subtle dynamic shaping
  • Reading and performing contemporary notation and rhythmic patterns

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