Chopin: Waltz in C-sharp Minor, Opus 64, No. 2 Cover Image

Chopin: Waltz in C-sharp Minor, Opus 64, No. 2: Piano

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Chopin: Waltz in C-sharp Minor, Opus 64, No. 2 Cover Image

Chopin: Waltz in C-sharp Minor, Opus 64, No. 2: Piano

By Frédéric Chopin / ed. Willard A. Palmer

Level: Early Advanced

Item: 00-2157

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Description
Chopin's famous Waltz is presented in this Willard Palmer edition, complete with information about the composer, performance suggestions, and editorial additions in gray print.

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Additional Details
Series: Alfred Masterwork Edition
Publisher: Alfred Music
Page Count: 8
ISBN10: 0-7390-2304-7
ISBN13: 978-0-7390-2304-4
UPC: 038081013831
SKU: 00-2157

More about this title

About the Composer: Frédéric Chopin

Frédéric Chopin (1810-1849) transformed the piano from a drawing-room instrument into a vehicle for profound emotional expression. A Polish composer who spent much of his adult life in Paris, he wrote almost exclusively for solo piano, developing a harmonic language and pianistic technique that influenced composers for generations. His waltzes, nocturnes, études, and ballades remain cornerstones of the Romantic repertoire and essential study for pianists seeking depth beyond technical display.

Chopin's influence on music education extends far beyond performance. His works demand that students engage with rubato, pedal control, and tonal independence between the hands, skills that elevate musicianship across all genres. Teachers return to Chopin repeatedly because his music rewards careful listening and introspection, qualities that shape not just better pianists but more thoughtful musicians.

Why we love this

This waltz appears on nearly every serious pianist's path, and the Palmer edition respects that responsibility by providing clear editorial guidance without oversimplifying the score. The gray-print suggestions honor Chopin's intentions while supporting students navigating one of the Romantic era's most elegant and technically demanding short forms. It strikes the right balance between accessibility and authenticity for pianists ready to engage with genuine Chopin rather than simplified arrangements.

What to expect

Elegance wrapped in melancholy. The C-sharp minor key and flowing three-beat pattern create an intimate, almost nostalgic quality, even when the piece moves into its more spirited sections. There is restraint and longing throughout, a distinctly Romantic sensibility that rewards pianists who can balance technical precision with emotional nuance.

Who it's for

Early advanced pianists ready to study a cornerstone of Romantic solo literature with scholarly support. This edition serves students preparing for competitions, recitals, or conservatory entrance exams, as well as teachers seeking a reliable, pedagogically sound text for this essential work.

How to get the most out of it

  • Shape the opening melody with subtle dynamic swelling on each phrase; the three-beat waltz meter should breathe rather than pulse mechanically.
  • Control the pedal carefully through harmonic changes to maintain clarity in the left hand while sustaining the lyrical quality of the right.
  • Allow flexibility in tempo (rubato) especially in the B section, but return to steady time in the A sections to preserve the waltz's inherent pulse.
  • Pay attention to the editorial suggestions in gray print regarding fingering and hand position; they address the specific technical demands of Chopin's pianistic voice.

How to use it

Program this as a solo recital centerpiece for a pianist at the early advanced level, or pair it with other Chopin works to create a thematic program exploring his smaller forms. Its eight-page length makes it ideal for a recital bracket alongside a larger work or as part of a curriculum unit on Romantic keyboard literature.

Skills your students will build

  • Rubato and rhythmic flexibility within formal structure
  • Independent hand control and tonal balance in the melody-accompaniment texture
  • Pedal technique for sustaining harmonies while maintaining textural clarity
  • Interpretation of editorial fingering and the physical demands of Romantic-era pianistic writing
  • Phrasing in the three-beat meter and structural navigation across key areas

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