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Chinese Folk Songs: Volume 1 for Violin Duo, Trio or Quartet: Violin, Collections, Full Score

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Chinese Folk Songs: Volume 1 for Violin Duo, Trio or Quartet Cover Image

Chinese Folk Songs: Volume 1 for Violin Duo, Trio or Quartet: Violin, Collections, Full Score

By Albert Wang

Grade: 1.5

Item: 36-52716002

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Description
Chinese Folk Songs is a compilation for string duo, trio or quartet, arranged by Albert Wang. The collection includes six songs: 1. Fall Recollections at Dressingtable (Zhuang Tai Qui Si); 2. Whether He Knows or Not (Zhi Dao Bu Zhi Dao); 3. Little Cabbage (Xiao Bai Cai); 4. General's Command (Jiang Jun Ling); 5. Jiaocheng Mountain (Jiao Cheng Shan); 6. Elunchun Folk Tune (E Lun Chun Xiao Chang). Volume 1 for violin duo, trio, or quartet.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876244-6
ISBN13: 978-1-62-876244-0
UPC: 654690586698
SKU: 36-52716002
Instrumentation: Violin Duo, Trio, or Quartet

More about this title

Why we love this

These arrangements strike a rare balance: they're genuinely playable for young string players while preserving the distinctive character of the original melodies. Wang's writing for multiple voicings means you can perform the same piece as a duo one semester and expand it to a quartet the next, getting fresh mileage from familiar material.

What to expect

These six songs carry the lyrical quality and storytelling impulse of Chinese folk tradition. From intimate reflective moments to more spirited character pieces, the collection feels conversational and human rather than virtuosic.

Who it's for

String ensembles at the early intermediate level who want to build multicultural repertoire without oversimplifying. Teachers seeking material that works flexibly across different group sizes will find this collection especially valuable.

How to get the most out of it

  • Pay attention to phrasing over strict rhythmic precision. Chinese folk melodies often breathe in ways that don't align with Western metric expectations, so listen to recordings and let the shape of the line guide your ensemble's tempo flexibility.
  • Balance the melody clearly against supporting voices, especially in trio and quartet settings where lower parts can easily obscure the tune. A light bow pressure on the accompaniment figures helps the primary voice sing through.
  • Approach vibrato conservatively in the earlier pieces. At this level, a narrow, controlled vibrato on sustained notes adds warmth without muddying the clarity these melodies need.

How to use it

Consider pairing one or two selections with Western string repertoire on a concert to create genuine programming contrast. These pieces also work well as opening numbers that set a contemplative or cultural tone before moving into the rest of your set.

Skills your students will build

  • Playing with stylistically appropriate phrasing across an unfamiliar melodic tradition
  • Balancing melody and accompaniment in ensemble contexts
  • Reading and executing multiple voicings in smaller string configurations
  • Adapting the same arrangement across different group sizes (duo, trio, quartet)

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