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Children's Corner, Suite No. 2: Full Orchestra, Ensemble Works Conductor Score

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Children's Corner, Suite No. 2 Cover Image
Children's Corner, Suite No. 2: Full Orchestra, Ensemble Works Conductor Score

Children's Corner, Suite No. 2: Full Orchestra, Ensemble Works Conductor Score

By Claude Debussy / arr. Andre Caplet, Hubert Mouton

Item: 36-A713599
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Children's Corner, Suite No. 2: Full Orchestra, Ensemble Works Conductor Score & Parts

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Description
Originally written in 1908 as a "Little Suite" for piano, CHILDREN'S CORNER was dedicated to Claude Debussy's (1862-1918) daughter, Claude-Emma: "To my beloved little Chouchou with the tender excuses of her father for what follows below." Captivated by his daughter's wonderment and fascination with various toys and dolls in her playroom, Debussy aimed to emulate both the experience of being young and the nostalgia of watching his daughter explore and play. Each movement was titled, in English, after one of Emma's toys. An immediate and enduring success, the work has been arranged a great many times for a variety of instruments and ensembles over the years, including an orchestration by Andre Caplet. This second suite for small orchestra by Hubert Mouton is based on the Caplet orchestration and includes the following three movements: 1. Jumbo's Lullaby, 2. The Snow is Dancing, 3. Doctor Gradus ad Parnassum. Instrumentation: 1.1.2.1: 2.2.0.0: Perc(1-2): Str (9-8-7-6-5).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887884-6
ISBN13: 978-1-63-887884-1
UPC: 735816428907
SKU: 36-A713599
Instrumentation: Full Orchestra, Ensemble Works

More about this title

About the Composer: Claude Debussy

Claude Debussy (1862-1918) fundamentally reshaped how composers approached harmony, texture, and orchestral color in the early 20th century. His innovations in whole-tone scales, parallel chords, and impressionistic sound painting influenced generations of composers and remain central to music education curricula. Beyond his concert works, Debussy created accessible piano suites that reveal his compositional genius in intimate settings, demonstrating that sophisticated musical thinking need not require massive forces.

Children's Corner emerged from Debussy's observations of his daughter's play and imagination, capturing a composer's rare ability to honor childhood experience without condescension. The work showcases his skill at orchestration and his gift for creating memorable melodies alongside harmonic innovation, making it a window into both his artistry and his humanity.

Why we love this

This Mouton arrangement (based on Caplet's orchestration) offers orchestras a gateway to Debussy's most approachable masterwork without sacrificing musical substance. The three movements span contrasting textures and moods, giving your ensemble room to develop color and balance while the familiar themes provide immediate connection with audiences of all ages. Programming Debussy at this level signals to your community that your orchestra engages with genuine artistry, not just crowd-pleasing spectacle.

What to expect

These three movements inhabit a world of gentle wonder tinged with sophistication. Jumbo's Lullaby rocks with tender simplicity; The Snow is Dancing shimmers with delicate, shifting colors; Doctor Gradus ad Parnassum builds from playful warmth into something grander. Throughout, the orchestration sparkles with instrumental personality while maintaining an underlying sense of intimacy and care.

Who it's for

Orchestras with intermediate to advanced capabilities seeking an accessible yet artistically substantial addition to their repertoire. The work suits conductors introducing their ensembles to early 20th-century compositional techniques and orchestration practices.

How to get the most out of it

  • Establish a clear harmonic palette early in rehearsal. Debussy's orchestration relies on blended timbres rather than traditional voice-leading, so ensemble sound takes priority over individual line clarity.
  • Shape phrases through dynamic contour and instrumental color rather than traditional tempo rubato. Allow suspended moments to breathe without rushing forward.
  • Balance the woodwind solos in each movement carefully; they often carry the primary melodic material while strings provide impressionistic wash. Mark dynamic relationships between these layers in your score.
  • Attend to rhythmic precision in the accompaniment figures, especially the ostinatos in Doctor Gradus ad Parnassum. Loose rhythm will blur the delicate harmonic effects Debussy intends.

How to use it

Pair this suite with other early 20th-century orchestral works to create a concert exploring impressionist and modernist aesthetics. Its moderate length and appealing character make it ideal for a family concert or educational program where you want to engage young listeners alongside parents. Consider pairing it with a contemporary piece that draws on similar coloristic techniques, showing students how Debussy's innovations continue to shape composers today.

Skills your students will build

  • Interpreting impressionistic harmony and understanding suspended chords without traditional resolution
  • Balancing orchestral color through careful dynamic relationships between sections
  • Shaping phrases through timbre and orchestration rather than relying on tempo changes
  • Reading and executing rhythmic ostinatos with precision in support of harmonic structures
  • Responding to a conductor's gestural cues for rubato and breath in non-traditional forms

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