Children Of The World Sheet Music Preview

Children Of The World: SATB Choral Octavo

By Ruth Morris Gray

Item: 35-DS00207606

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$2.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00207606

More about this title

About the Composer: Ruth Morris Gray

Ruth Morris Gray

Ruth Morris Gray brings over two decades of classroom experience to her compositional work as Director of Choirs at Rosemead High School in California. Her dual expertise in piano performance and choral direction informs a catalog of more than 100 published compositions, many of which are written specifically for the ensembles and students she teaches daily. She holds degrees in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from UC Santa Barbara, along with her California Single Subject Music Credential.

Beyond the rehearsal hall and composing desk, Gray is an active performer and passionate advocate for music education. Her interests span travel, swimming, reading, and recreational cycling, pursuits she often shares with her husband, Douglas. Her life outside music informs the warmth and accessibility that characterize her choral writing.

Why we love this

Gray writes for real choirs with real rehearsal time constraints, and this piece reflects that pragmatism without sacrificing musical substance. The text selection and thematic material invite meaningful interpretation while remaining within the technical grasp of intermediate singers, making it a genuine contribution to the secular choral repertoire rather than another filler octavo.

What to expect

The piece carries an inclusive, forward-looking spirit appropriate to its title. Gray's harmonic language feels modern without being forbidding, with moments of lyrical beauty balanced against rhythmic energy and textural variety.

Who it's for

SATB choirs at the intermediate to early advanced level seeking contemporary choral music with substance and accessibility. The piece works equally well in high school, college, and community choir settings where singers want to connect with meaningful text without getting lost in complex voice leading.

How to get the most out of it

  • Balance the four parts so the text remains intelligible; since the piece centers on a global theme, clarity serves both the message and the musical line.
  • Explore the relationship between unison and divisi passages to understand how Gray creates harmonic tension and release.
  • Let the singers inhabit the geography of the text through dynamic phrasing and vowel shaping rather than applying uniform dynamics throughout.

How to use it

This works effectively in a concert exploring themes of community, humanity, or social connection. Its 10-page length makes it suitable as a centerpiece for a thematic set or as part of a mixed repertoire concert where you want a contemporary secular selection that appeals to diverse audiences.

Skills your students will build

  • Sustaining vocal lines across longer phrases without breaking pitch
  • Balancing part independence with ensemble cohesion
  • Text projection and diction in contemporary choral writing
  • Interpreting dynamic and timbral nuance in modern harmonic contexts

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