Children Of The Wind Sheet Music Preview

Children Of The Wind: Piano Vocal

As performed by Stephen Schwartz

Item: 35-DS00024274

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$5.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00024274

More about this title

About the Artist: Stephen Schwartz

Stephen Schwartz has shaped musical theater for five decades, composing scores for Godspell, Pippin, and Wicked that define the genre for successive generations of performers. His gift lies in crafting songs that balance theatrical sophistication with genuine emotional directness, making his work equally valuable in the concert hall and the classroom.

Why we love this

Schwartz writes for the human voice with rare intelligence. 'Children of the Wind' sits in a vocal range that works for many singers without requiring extreme technical demands, yet the accompaniment and melodic line reward careful musical attention. Programs benefit from having at least one Schwartz selection; this one fits naturally into recitals, cabarets, or concerts built around Broadway material.

What to expect

The song carries a reflective quality, inviting singers into intimate connection with text. The piano writing suggests movement and light without overwhelming the vocalist, creating space for genuine emotional expression.

Who it's for

Solo singers preparing recital material, advanced high school vocalists, and music theater performers looking for accessible Schwartz material that showcases legit vocal technique. Teachers seeking quality contemporary repertoire with artistic substance will find this strengthens any vocal program.

How to get the most out of it

  • Find the breath points that feel natural to your voice rather than fighting the phrase structure. Schwartz often writes longer lines than where the accompaniment might suggest stopping.
  • Balance the vocal melody against the piano's harmonic movement rather than sitting on top of it. The two parts work best in conversation.
  • Let the poetry of the lyrics guide your dynamic shape. Schwartz's text setting rewards attention to how consonants and vowels interact with the melodic contour.

How to use it

This works well alongside other contemporary musical theater selections in a recital setting, or as a featured solo in a concert centered on Schwartz's catalog. The six-page format makes it substantial enough to anchor a program slot without requiring extended orchestration.

Skills your students will build

  • Sustaining long melodic phrases with consistent breath support
  • Interpreting Schwartz's characteristic harmonic language and its relationship to text
  • Coordinate vocal line with piano accompaniment across changing textures
  • Apply dynamic control to reinforce poetic content rather than purely musical architecture

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