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Children of Sanchez: Jazz Ensemble Conductor Score

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Children of Sanchez: Jazz Ensemble Conductor Score

By Chuck Mangione / arr. Dave Wolpe

Grade: 3 (Medium)

Item: 00-JE9711C

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Description
This classic Chuck Mangione movie theme gets the Dave Wolpe treatment for 1997. It has all of the energy, drive and power of the original, with some of the technical demands worked out to a grade 3 level. This is one of those 'must have' tunes for 1997! (duration 4:10)

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 16
UPC: 029156274622
SKU: 00-JE9711C

More about this title

About the Composer: Chuck Mangione

Chuck Mangione is a flugelhorn player and composer best known for his accessible, melodically rich approach to jazz fusion. His 1978 composition "Feels So Good" became a crossover hit, introducing millions of listeners to jazz through radio play. Mangione's gift for writing memorable themes that bridge popular and jazz audiences has made his work a staple in film scores and educational settings.

Why we love this

Dave Wolpe's arrangement captures the warm, unhurried groove of Mangione's original without sacrificing the tune's immediate appeal. At Grade 3, it gives young jazz ensembles a chance to play a genuinely sophisticated piece that sounds polished and professional without requiring the virtuosity of an advanced section. Directors appreciate how the arrangement maintains the film's emotional core while offering straightforward technical demands across all parts.

What to expect

Warm, contemplative, and gently swinging. The tune settles into a relaxed groove with a hint of melancholy, as if reminiscing over a moment in time. The orchestration glows rather than blazes, giving the music an intimate quality despite the full ensemble sound.

Who it's for

Grade 3 jazz ensembles ready to tackle a piece with genuine musical character and film credentials. This works equally well for middle school jazz bands stepping into standard repertoire and high school groups seeking an accessible but substantial addition to their programming.

How to get the most out of it

  • Balance the solo voices against the ensemble; this arrangement thrives on clarity rather than overpowering dynamics. Let individual sections sing their lines even in full sections.
  • Lock the walking bass and drums early. The groove rides on their pocket, and everything else settles into place once rhythm section players feel the pocket together.
  • Give the piece room to breathe. The original's charm comes from its unhurried pacing; resist the temptation to rush even when energy builds.
  • Shape phrases toward natural melodic peaks rather than hitting every note at full volume. The melody line deserves the same care a vocalist would give it.

How to use it

Program this in a concert slot where you want to showcase musicality over flash. It pairs well with standards and original compositions that emphasize the jazz ensemble's ability to tell a story. The 4:10 duration gives you flexibility in longer sets, and the Grade 3 accessibility means you can feature it without overshadowing more challenging works.

Skills your students will build

  • Jazz phrasing and breath control in a melodic context
  • Listening and blending within the ensemble while maintaining individual line clarity
  • Rhythm section coordination and pocket awareness
  • Reading and interpreting jazz articulation and dynamic shaping
  • Understanding film music composition and thematic development

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