Cheyenne Cover Image

Cheyenne: Concert Band Conductor Score

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Cheyenne Cover Image

Cheyenne: Concert Band Conductor Score

A Western Overture for Band

By Michael Story

Grade: 2 (Easy)

Item: 00-43105S

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Description
Cheyenne, Wyoming was a very important city in the move westward during the 19th century. It was built at the crossing of the Union Pacific railroad and Crow Creek. Today, Cheyenne remains a vibrant community with the ongoing spirit of the old west. An original work reminiscent of western movie themes, it is set in a traditional ABA overture form. Broad and bold with the spirit of the west. (3:00)

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 20
UPC: 038081507248
SKU: 00-43105S

More about this title

About the Composer: Michael Story

Michael Story has established himself as one of the most prolific and performed composers in band music today. His works span all levels of difficulty and consistently demonstrate his gift for crafting accessible yet musically substantial pieces that engage both young musicians and audiences.

Why we love this

Story nails the overture form here without overwrought complexity. The ABA structure gives your students a clear formal architecture to hear and conduct, while the western theme material is memorable enough that audiences actually listen rather than check their phones. At Grade 2, it balances genuine musicality with realistic technical demands.

What to expect

Wide open spaces and dust on the horizon. The scoring captures that cinematic sweep of early western themes, with bold brass statements anchoring the melody while supporting voices create texture and movement. It's accessible but never feels cheap.

Who it's for

Grade 2 concert bands looking for repertoire that works equally well in festival settings and community concerts. Directors who want their students to engage with form and thematic development without the technical demands of a harder piece.

How to get the most out of it

  • Establish the broad character in measure one. The opening needs weight and confidence, not tentative playing. Think film score grandeur from the downbeat.
  • Shape the melodic lines through the A section with long-line thinking rather than phrase-by-phrase attacks. Legit bow technique and air support sell the western landscape imagery.
  • Balance the secondary theme in the middle section so the harmonic shift actually registers. If the B section feels like more of the same, you've lost the contrast that makes the return to A satisfying.
  • Keep the tempo honest at three minutes. Rushing this piece makes it feel thin. Broad really means broad.

How to use it

This sits naturally on a concert that mixes original works with transcriptions or lighter fare. Program it early in the set to establish energy and command audience attention, or close a section with it for a strong dramatic finish. It works equally well as a festival opener that builds confidence before tougher repertoire.

Skills your students will build

  • Conducting and performing in ABA formal structure
  • Broad legato phrasing and sustained tone quality
  • Balance between primary and secondary melodic material
  • Thematic contrast and development at Grade 2 level
  • Ensemble cohesion in open, resonant scoring

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