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Chesapeake Serenade: Concert Band Conductor Score

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Chesapeake Serenade Cover Image

Chesapeake Serenade: Concert Band Conductor Score

By Brian Balmages

Grade: 1

Item: 98-B1109S

$11.00
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Description
Not very often are we treated to such a beautiful chorale at the grade 1 level. Brian has scored this to work well with your beginning band instrumentation while providing opportunities to work on musicianship and intonation both at the elementary and middle school levels. Excellent for concert situations and also effective in developing a rich sound. Highly recommended! (2:40)

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Additional Details
Series: FJH Beginning Band
Publisher: The FJH Music Company, Inc.
UPC: 241444462034
SKU: 98-B1109S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a career navigating all three major ensemble worlds, orchestra, band, and chamber music, with equal facility and recognition. His compositions have reached audiences at Carnegie Hall, the Kennedy Center, Sydney Opera House, and countless school gymnasiums, earning him the A. Austin Harding Award from the American School Band Directors Association and a spot in the American Bandmasters Association. His 2020 NBA William D. Revelli Composition Contest win for Love and Light and his commissions for presidential events and university inaugurations underscore his standing in both the professional and educational music communities.

As a guest conductor, Balmages regularly works with all-state and regional ensembles, university groups, and professional orchestras worldwide. He has appeared at major conferences including the Midwest Clinic, the College Band Directors Conference, and the American School Band Directors Association National Conference, and currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Grade 1 repertoire rarely offers this caliber of musical substance. Balmages has crafted a genuine chorale that sounds mature and expressive without overwhelming beginners, giving you a piece that sounds genuinely beautiful in concert while serving real pedagogical work on tone and tuning.

What to expect

Calm and dignified, like hearing a well-composed hymn or chorale. The piece unfolds without rushing, giving each phrase room to sing and asking listeners to notice what happens when young musicians play with attention to blend and tuning.

Who it's for

Beginning band students and their directors who need repertoire that builds musicianship without sacrificing musical integrity. This works equally well in elementary and middle school settings where intonation and tone development are curricular priorities.

How to get the most out of it

  • Shape the phrases as if they're singing; avoid stopping at barlines and instead listen through to where the musical phrases naturally breathe.
  • Balance the inner voices carefully, especially early in rehearsals, so the chorale texture doesn't collapse into melody and bass.
  • Use the 2:40 runtime as your rehearsal target; pushing for a slightly broader tempo can help younger students hear and sustain the harmonic beauty.
  • Encourage consistent vibrato only from sections mature enough to control it; younger players will find the chord changes clearer with a still, focused tone.

How to use it

Open a concert with this to set a thoughtful tone, or use it as a closer after more energetic selections to leave your audience with something genuinely moving. It's also ideal for honor band or festival concerts where you want your beginning ensemble to stand out for musicianship.

Skills your students will build

  • Sustaining tone quality across phrase lengths
  • Matching pitch in four-part chorale texture
  • Listening for and adjusting intonation in real time
  • Shaping phrases with dynamics rather than rushing tempo
  • Balancing melody with supporting harmonic voices

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