Cherish (The Association's Greatest Hits): TTBB Choral Octavo

As performed by The Association / Arranged by Alan Billingsley

Item: 35-DS00262370

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00262370

More about this title

About the Artist: The Association

The Association emerged from Los Angeles in the 1960s as one of the era's most distinctive vocal ensembles, building a catalog rooted in intricate harmonies and sophisticated pop sensibilities. Their ability to blend tight vocal arrangements with contemporary songwriting made them pillars of the baroque pop movement, influencing generations of choral musicians and composers who studied their records to understand how popular music could achieve genuine harmonic depth.

Why we love this

Alan Billingsley's arrangement captures what made The Association's sound so compelling: those lush, interlocking harmonies that feel effortless on the ear but require serious attention to detail in the rehearsal room. Programming this alongside lighter pop fare elevates a concert's harmonic sophistication without sacrificing the accessibility that audiences love.

What to expect

Warm, sophisticated, and deeply satisfying. The arrangement wraps familiar melodies in unexpected harmonic turns that feel both lush and natural, creating moments of genuine beauty within a pop context. Singing it generates the kind of musical payoff that keeps singers coming back to rehearsal.

Who it's for

TTBB choirs seeking repertoire that demonstrates harmonic sophistication without requiring operatic technique. Ensembles with solid intonation skills will find this arrangement both rewarding and engaging for audiences unfamiliar with barbershop or classical choral music.

How to get the most out of it

  • Balance the inner voices carefully during the sustained harmonic passages; these singers often carry the harmonic movement while the outer voices sustain, so they need to project without pushing.
  • Record a rehearsal and listen back specifically to the vertical sonority rather than individual lines. The Association's sound depends on blend, not individual prominence.
  • Separate your rehearsal work: spend sessions on harmonic accuracy (using piano or recordings as reference), then move to tempo and phrasing once voicing is secure.
  • Mark breath points together as a section and treat them as ensemble moments, not individual choices. The continuity of the phrase matters as much as the harmony itself.

How to use it

Place this in a set celebrating American pop history or vocal ensemble traditions. It works particularly well bridging between more theatrical pop arrangements and straightforward standards, showing audiences the craft behind seemingly simple melodies.

Skills your students will build

  • Reading and maintaining independent harmonic lines in four-part texture
  • Voice leading across chord changes and harmonic progressions
  • Blend and balance in close harmony voicings
  • Sustaining intonation through moving chord structures
  • Phrasing continuity across held notes and harmonic shifts

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