Cheerleader (arr. Ed Lojeski) Sheet Music Preview

Cheerleader (arr. Ed Lojeski): TBB Choral Octavo

As performed by Omi / Arranged by Ed Lojeski

Item: 35-DS00315214

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00315214

More about this title

Why we love this

Ed Lojeski's arrangement captures the infectious energy of this pop anthem while giving male voices a chance to own contemporary material. The TBB voicing sits naturally for developing groups, and the chart's accessibility doesn't sacrifice the groove that makes this song irresistible to singers.

What to expect

Energetic and approachable. The arrangement channels the song's celebratory spirit while the three-part writing creates satisfying harmonic moments that feel modern without being overly complex.

Who it's for

Directors programming pop selections for male or mixed ensembles who want something current and engaging without sacrificing musical substance. This works equally well for concert choirs seeking a contemporary moment and for recreational groups building confidence in non-classical idioms.

How to get the most out of it

  • Lock into the rhythmic precision early. This arrangement lives in the pocket, so establishing a tight internal pulse across all three parts makes the difference between competent and compelling.
  • Layer the dynamics intentionally. The arrangement likely builds momentum, so resist the urge to sing full volume from bar one. Let the energy arc through the piece.
  • Balance the part-writing so no voice gets buried. In TBB writing, the middle voice can disappear if singers aren't conscious of blend and forward placement.

How to use it

Pair this with other contemporary pop arrangements to build a concert set that connects with audiences beyond traditional choral repertoire. It also serves well as a rehearsal confidence builder midway through your season when singers need a musical win.

Skills your students will build

  • Reading and performing rhythmic syncopation typical of pop idioms
  • Balancing three independent melodic lines while maintaining unified ensemble sound
  • Internalizing groove and pocket feel in non-traditional metric contexts
  • Singing contemporary material with stylistic authenticity and intention

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