Cheap Thrills (feat. Sean Paul) (Arr. Mark Brymer): SAB Choral Octavo

Mark Brymer's arrangement captures the infectious energy of the original without sacrificing the vocal clarity that makes SAB settings work. The tunefulness of the hook combined with accessible voice leading means your singers stay connected to what makes the song memorable while focusing on blend and intonation.

Upbeat and propulsive. The arrangement brings a celebratory vibe that feels light without being throwaway, with enough harmonic interest to reward careful listening. Singers will feel the groove immediately.

Choirs looking to program something current and energetic that still develops vocal skills. This works for middle school through adult community choirs and fits particularly well in shows or concerts that aim to connect with younger audience members.

• Nail the rhythmic precision of the signature syncopation. The groove depends on tight ensemble pulse, so isolate the tricky rhythmic moments in sectionals and lock them in before bringing the full choir together.
• Balance the upper voices against the altos when the melody sits high. The arrangement likely features sopranos carrying the hook, so manage dynamics carefully to keep all three parts audible and equal in weight.
• Lean into the playfulness of the arrangement. Contemporary pop thrives on attitude and ease, so encourage singers to find the fun in the material rather than treating it as a concert piece that demands gravitas.
• Use the recorded accompaniment as a rehearsal tool early on, then gradually build independence in sectionals so your choir can own the rhythmic phrasing and timing.

Pair this with other contemporary pop arrangements to create a set that shows your ensemble's range, or use it as a closing number on a mixed-repertoire concert where you need something with instant appeal. It works equally well in informal settings like pep rallies or community events where the familiarity of the tune breaks down barriers between performers and audience.

• Syncopated rhythm reading and execution
• Blend and balance in SAB voicing
• Contemporary vocal phrasing and inflection
• Maintaining pulse and groove within ensemble context