Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Chattanooga Choo Choo: Choral Octavo Acc. Pak comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Arranger: Mac Huff
Mac Huff stands among the most prolific arrangers in contemporary choral music, with hundreds of titles published across pop, jazz, Broadway, and seasonal genres. His arrangements are known for combining accessibility with musical substance—they sit comfortably in the voice while preserving the character of the original, making them favorites in both festival and concert settings.
Huff's work spans everything from classic standards to modern pop hits, and his jazz and swing arrangements in particular have become staples in choral programs seeking repertoire that energizes singers and audiences alike. His gift for voice leading and his understanding of what works in the rehearsal room have made him essential to the Alfred Pop Choral Series catalog.
Why we love this
This arrangement captures all the infectious energy of the original without requiring your choir to navigate complicated voice part writing or demanding high notes. The included horn parts elevate the swing feel and give the piece a genuine big-band texture that makes singers sound fuller and feel more connected to the era.
What to expect
Stepping onto a 1940s platform as steam rises and a locomotive pulls away. The swing groove is irresistible, the melody singable and instantly memorable, and the orchestration warm and inviting without ever feeling dated.
Who it's for
Any director seeking a crowd-pleasing jazz standard that works for middle school through adult choirs. The arrangement meets singers at various levels of experience while sounding polished and performance-ready with relatively modest rehearsal time.
How to get the most out of it
- Keep the rhythm section and horns locked together; the groove depends on them moving as one unit. Record them separately first if needed, then layer the choir on top.
- Resist the urge to drag the tempo in the final chorus. Swing feel works best with forward momentum, so maintain the groove even as you build dynamics.
- Let the solo passages breathe. This arrangement likely includes moments for individual voices or a small group to shine—give them space and don't pad the texture underneath.
- Articulate the text crisply on "Chattanooga Choo Choo." The iconic phrase needs clarity and punch to land with an audience.
How to use it
Program this alongside other swing-era chestnuts for a retro-themed concert, or drop it into a pops or jazz-focused set to shift the energy and give your audience a reason to smile. It also works beautifully as an encore or as the opener for a concert that needs an immediate lift.
Skills your students will build
- Jazz phrasing and articulation (swung rhythms, legit vs. crisp approaches)
- Blend and balance with horn section instrumentation
- Sustained ensemble groove while managing independent melodic lines
- Historical context and style awareness (1940s popular song idiom)