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Chasm: Organ (Solo)

$67.00 USD
$67.00 USD
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Chasm Cover Image
Chasm: Organ (Solo)

Chasm: Organ (Solo)

(1986)

By William Albright

Item: 98-EP67160
$67.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 38
ISBN10: 0-30-073590-1
ISBN13: 979-0-3007-3590-0
SKU: 98-EP67160

More about this title

About the Composer: William Albright

William Albright (1944-2010) was an American composer and organist who bridged classical tradition and contemporary practice with distinctive versatility. He held teaching positions at the University of Michigan and was known for writing across genres, from orchestral works to solo keyboard pieces that challenged both technical facility and interpretive depth. His organ works in particular demonstrate a sophisticated command of the instrument's capabilities, blending harmonic complexity with architectural clarity.

Why we love this

Chasm stands as a substantive solo that demands serious musicianship without relying on virtuosity for its own sake. The 38-page scope signals real compositional architecture, not a brief character piece, making it ideal for advanced organists seeking repertoire that rewards deep study. Albright's writing here integrates twentieth-century harmonic language with the organ's natural sonorities in ways that feel both modern and idiomatic.

What to expect

Chasm unfolds with contemplative intensity, exploring the organ's capacity for both delicate detail and powerful gesture. The work creates a sense of architectural space, drawing the listener through shifting harmonic terrain that feels both searching and purposeful.

Who it's for

Advanced organists preparing recital repertoire or seeking substantial contemporary works that expand the instrument's artistic range. This piece fits organists who are comfortable with mid-twentieth-century compositional language and have access to a well-equipped instrument.

How to get the most out of it

  • Map the piece's harmonic and textural divisions before touching the keys; Albright's structure depends on understanding where material shifts and resolves.
  • Experiment with registrations that reflect the work's evolving character; changes in tonal color often signal formal boundaries.
  • Give yourself time to develop comfort with the notation and demands of the score; 38 pages warrant a rehearsal timeline that allows for gradual deepening rather than quick learning.

How to use it

Anchor a recital devoted to contemporary organ literature or pair it with other twentieth-century works that share Albright's marriage of modernist thinking and instrument-specific writing. Its substantial length makes it suitable as a closing work on a mixed program or as the centerpiece of a solo recital.

Skills your students will build

  • Reading and performing twentieth-century harmonic language on the organ
  • Interpreting complex registrational demands within a single work
  • Managing large-scale formal architecture across extended solo repertoire
  • Developing tonal control across the full range of the instrument

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