Chasing Sunshine: 1st Trombone Sheet Music Preview

Chasing Sunshine: 1st Trombone

By Jon Bubbett

Grade: 1.5

Item: 00-PC-0019682_TN1

Digital Download
$3.00
Description
Chasing Sunshine, by Jon Bubbett, is a musical journey that captures the pure joy of spring's arrival. Inspired by a walk on an early spring morning, this piece brings to life the warmth of sunshine filtering through bare tree limbs, the first buds appearing on branches, and the undeniable anticipation of new beginnings. With crisp, clean air and the buoyancy that follows a cold, gray winter, Bubbett's work reminds us of the simple beauty found in a fresh, new day.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Chasing Sunshine: 1st Trombone comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Sample Video
Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
SKU: 00-PC-0019682_TN1

More about this title

About the Composer: Jon Bubbett

Jon Bubbett

Jon Bubbett taught band for 38 years, with 26 of those years spent at Thompson High School in Alabaster, Alabama. A six-time NBA Citation of Excellence Award recipient and 2015 Phi Beta Mu Bandmaster of the Year, he has remained deeply connected to music education through conducting, composing, and adjudicating across Alabama, Georgia, and Mississippi. He has presented clinics at the Alabama Music Educators Association In-Service Conference and the Midwest International Band and Orchestra Clinic.

Bubbett's published works appear through Belwin, Make Music, Wingert-Jones, Excelcia Music Publishing, RWS Music, Eighth Note Publishing Company, and his own imprint. He serves as conductor of the Celebration Winds Community Concert Band and holds memberships in the National Association for Music Education, the National Band Association, Phi Beta Mu International Bandmasters Fraternity, ASCAP, and Phi Mu Alpha Sinfonia.

Why we love this

Bubbett captures something essential here that young musicians feel immediately: the genuine lift that comes with brighter days and longer light. The writing stays idiomatically clean for Grade 1.5 players without sacrificing character, and the contest/festival designation means your students get a performance goal alongside a piece that's actually rewarding to rehearse and play.

What to expect

Sunlight breaking through winter clouds. The air is crisp and clean, the mood optimistic without being saccharine. There's a sense of gentle unfolding, as though nature itself is waking up gradually, bringing warmth and color back to a gray landscape.

Who it's for

Beginning band programs at the Grade 1.5 level will find this piece both accessible and musically rewarding. It suits ensembles with mixed instrumentation and varying technical abilities while offering genuine musical substance.

How to get the most out of it

  • Shape the opening gestures to emphasize the sense of emergence rather than marching forward. Let the brightness build gradually as the band enters.
  • Balance the upper woodwinds carefully when they carry melodic material; they should float above rather than blend into the harmony.
  • Work toward transparency in texture, especially in moments where individual lines might otherwise disappear. Each voice should feel distinct without forcing volume.
  • Use the natural energy of the piece to avoid sluggish tempos, but resist the urge to rush. Buoyancy comes from clarity and rhythmic precision, not speed.

How to use it

Program this as a spring concert opener to set a joyful, forward-looking tone. It pairs well with contrasting selections and works equally effectively in festival settings where adjudicators appreciate writing that respects young players' abilities while demanding genuine musicianship.

Skills your students will build

  • Balance and blend among sections
  • Sustained phrasing across simple melodic lines
  • Dynamic control at beginning band levels
  • Rhythmic precision in a tonal context
  • Listening for transparency and clarity in ensemble sound

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