Charting the Course Christmas Collection, Tuba Book Cover Image

Charting the Course Christmas Collection, Tuba Book: Tuba Method Book

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Charting the Course Christmas Collection, Tuba Book Cover Image

Charting the Course Christmas Collection, Tuba Book: Tuba Method Book

Arranged by Ryan Fraley

Grade: 2.5

Item: 98-HX103TBA

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Description
A collection of six Christmas and holiday charts for small jazz groups at grade 2.5. All charts are scored in three-part writing, with flexible instrumentation provided by all three parts in each wind book. Solo sections are provided with changes, and also a mini-clinic with a break down of the spelled-out chord progression and a scale etude for each tune. Twelve transcribed solos match the recordings note-for-note, and twelve suggested solos give younger players a starting point with themes taken from the recorded solos. 54 downloadable play-along tracks provide every instrument a chance to sit in with the recorded band. Contents include: Up On the Housetop, Good King Wenceslas, Jingle Bells, Deck the Halls, The Holly and the Ivy, Auld Lang Syne.

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Additional Details
Series: HXmusic
Publisher: HXmusic
ISBN10: 1-54710-880-0
ISBN13: 978-1-54710-880-0
UPC: 9781547108800
SKU: 98-HX103TBA

More about this title

Why we love this

Ryan Fraley has crafted six holiday charts that treat young jazz musicians like real players, not students going through exercises. Each arrangement balances accessibility with genuine jazz language: the mini-clinics demystify the harmonic choices behind every tune, while the dual solo options (transcribed and suggested) let developing improvisers learn from recordings or start with scaffolded themes. This is the rare collection where students build ear and technique simultaneously.

What to expect

The familiar warmth of holiday melodies meets the forward momentum of jazz swing. These arrangements capture the festive spirit of Christmas charts while grounding players in real jazz conventions: walking bass patterns, chord comping, and genuine improvisation opportunities. The result feels celebratory without sacrificing musicianship.

Who it's for

Tuba players in grade 2.5 jazz ensembles who want structured stepping stones into improvisation and jazz language. The included solos with changes, mini-clinics, and dual solo options make this ideal for young musicians juggling their first experiences with chord changes and listening-based learning. This book works equally well for students preparing for small-group jazz festivals or for rehearsals that blend skill-building with seasonal repertoire.

How to get the most out of it

  • Study the mini-clinic before learning your solo section. Understanding the chord progression spelled out in the breakdown makes sight-reading changes significantly easier and helps you recognize similar harmonic patterns across the six tunes.
  • Use the play-along tracks to lock your part in context. Hearing the full band behind your line teaches you how your voice sits in the arrangement far better than practicing isolated parts.
  • Work through the scale etude for each tune as a warm-up before the full chart. These etudes target the exact intervallic motion and range you'll encounter in the melody and solo sections.
  • Record yourself on the suggested solo, then listen alongside the transcribed version to hear how the recorded soloist interprets the same theme. This trains your ear for phrasing and articulation in ways that sheet music alone cannot.

How to use it

Program these charts in a December jazz concert or festival clinic where ensemble cohesion and individual voice matter equally. The parallel three-part writing with flexible instrumentation lets you adjust the ensemble size mid-season, and the play-along tracks make these workable for sectionals or independent practice when rehearsal time is tight. Pair one or two charts with non-holiday jazz standards to frame the semester's learning arc.

Skills your students will build

  • Reading lead sheets and interpreting chord changes
  • Listening-based transcription and solo analysis
  • Jazz phrasing, articulation, and swing feel
  • Improvisation within a harmonic framework
  • Ensemble balance and sectional awareness in a small-group context

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