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Charlie Christian: Guitar TAB Edition Book

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Charlie Christian Cover Image

Charlie Christian: Guitar TAB Edition Book

Selected Solos from the Father of Modern Jazz Guitar

Charlie Christian / Compiled and Transcribed by Chip Henderson

Item: 00-45267

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Description
For many, the story of jazz guitar begins with Charlie Christian. In 1939, at 23 years old, Charlie joined the Bennie Goodman Sextet, already one of the most famous jazz bands in the world. Over the next two years of his all-too-brief life Charlie redefined the role of jazz guitar, expanding it from its role in the rhythm section to that of lead instrument on par with the great horn players. Simultaneously, his late-night jam sessions alongside Thelonious Monk, Dizzy Gillespie, Charlie Parker, and Kenny Clarke at Harlem's renowned Minton's jazz club led to a revolutionary new jazz called Bebop.

To best understand Charlie Christian's approach to improvising, for each song this book provides multiple examples of his soloing. Comparing and contrasting these different solos---taken from alternate takes, various recording sessions, and live radio broadcasts---will give you a better sense of not only Charlie's core concepts, but also how he developed a variety of ideas out of them. Each song is presented with performance notes that include information about the recordings (date, place, personnel, etc.), a lead sheet for the composition, and transcriptions of the live and studio performances placed in chronological order---in both standard notation and tablature. In addition, there is a full analysis of his improvisation style to give you ideas on what to look out for. We've also included a bio, a discussion of his gear, and tributes from over 30 jazz greats.

Featuring multiple solos from:

As Long as I Live * Benny's Bugle * Boy Meets Goy (Grand Slam) * Flying Home * Gone with "What" Wind * Good Enough to Keep (Air Mail Special) * Honeysuckle Rose * I've Found a New Baby * Rose Room * The Sheik of Araby.

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Additional Details
Publisher: Alfred Music
Page Count: 104
ISBN10: 1-4706-3349-3
ISBN13: 978-1-4706-3349-3
UPC: 038081519777
SKU: 00-45267

More about this title

About the Artist: Charlie Christian

Charlie Christian revolutionized jazz guitar in the span of just two years. Born in 1916, he joined Bennie Goodman's Sextet in 1939 at age 23 and immediately transformed the instrument from a rhythm section accompanist to a solo voice capable of competing with trumpet and saxophone. His innovative single-note phrasing, rhythmic sophistication, and harmonic language became foundational to bebop and influenced generations of jazz musicians who followed.

Why we love this

This book captures Charlie Christian's genius through the most revealing lens possible: multiple solo variations from the same tunes across different sessions and broadcasts. Rather than presenting a single "definitive" take, you get to see how he approached the same harmonic and melodic problems differently each time, which is how jazz masters actually think. The combination of transcriptions in both notation and tab, performance notes grounding each recording in its historical moment, and analytical insights makes this an essential resource for any guitarist serious about understanding bebop language.

What to expect

Sharp, articulate, and rhythmically fearless. Charlie Christian's lines soar over the harmony with the confidence of a saxophonist, but with the spatial clarity that only a guitar can provide. His phrasing is conversational and unpredictable, sometimes behind the beat, sometimes pushing ahead, always musical and never mechanical.

Who it's for

Jazz guitarists at the intermediate level and beyond who want to move past surface-level transcription and understand Charlie Christian's vocabulary and decision-making. Teachers working with advanced students who are ready to study improvisation through the lens of a single master's recorded output. Serious jazz musicians of any instrument who want to deepen their understanding of bebop language and how great improvisers develop ideas.

How to get the most out of it

  • Study the chronological ordering of solos from the same tune to observe how Charlie refined and developed his core ideas across multiple takes; this reveals his improvisational process more clearly than any single version could.
  • Use the lead sheets alongside the transcriptions to understand the harmonic framework Charlie is navigating; this helps you see which phrases respond to specific chord changes and which ones transcend them.
  • Cross-reference the performance notes (dates, venues, personnel) with the corresponding solos to hear how different musical contexts and collaborators shaped his choices in that moment.
  • Examine his rhythmic placement and phrasing relative to the beat in the notation; Charlie's sophistication lies partly in how he lands ideas off the downbeat, which is clearer in standard notation than in tab alone.

How to use it

This is primarily a study and transcription resource rather than a performance anthology, making it ideal for jazz ensemble rehearsals or private lessons where players are working on improvisation. Use it alongside listening sessions where students hear the original recordings while following along with both the transcriptions and lead sheets. For guitar students preparing for jazz combos or auditions, the comparative analysis of multiple solos on the same tune provides a model for developing personal vocabulary from a coherent set of core concepts.

Skills your students will build

  • Reading jazz notation and tablature together to understand rhythmic placement and harmonic context
  • Analyzing improvisation over changes by comparing multiple solos and identifying recurring phrases and motifs
  • Recognizing Charlie Christian's vocabulary for common jazz harmonic situations and bebop progressions
  • Understanding how recorded context (session type, personnel, date) shapes an improviser's choices
  • Developing articulation and phrasing appropriate to single-note jazz soloing on guitar

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