Charade Sheet Music Preview

Charade: SAB Choral Octavo

As performed by Sammy Kaye / As performed by Andy Williams / As performed by Henry Mancini / As performed by Johnny Mercer / Arranged by Ed Lojeski

Item: 35-DS00274991

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00274991

More about this title

About the Artist: Sammy Kaye

Sammy Kaye led one of the most commercially successful orchestras of the 1940s and 1950s, earning the nickname "The Swing and Sway" bandleader for his distinctive style. His polished, accessible arrangements and warm vocal approach made him a fixture on radio and television, introducing standards to millions of listeners during the golden age of American popular music.

Kaye's legacy as a bandleader and interpreter of classic songs continues to influence how educators approach repertoire selection. His emphasis on clarity, ensemble balance, and the human voice as the primary vehicle for melody remains central to choral music education.

Why we love this

Ed Lojeski's SAB arrangement captures the sophisticated charm of this Henry Mancini classic without requiring extensive vocal gymnastics from your ensemble. The voicing sits comfortably for mixed ability groups while preserving the melody's elegance and the song's cinematic warmth.

What to expect

A wistful, gently swaying number that moves with the grace of a slow dance. The arrangement glides between sections with understated elegance, creating space for the lyric's emotional narrative while maintaining the sophisticated sound Mancini's music demands.

Who it's for

Choirs seeking sophisticated pop standards with genuine musical substance will find this arrangement accessible yet rewarding. Works well for groups at the intermediate to advanced level who want to program something recognizable without oversimplifying the harmonic content.

How to get the most out of it

  • Balance the alto line carefully in the opening; this voice often carries harmonic interest that shapes the arrangement's color
  • Shape the phrase endings with slight ritardandi to mirror the reflective quality of the lyric, but avoid dragging the overall tempo
  • Highlight moments where the soprano and bass converge on the melody for textural contrast and emphasis
  • Work the diction of 'Charade' itself; the repeated title demands clarity without sounding clipped

How to use it

Pair this with other mid-century standards for a concert segment celebrating American songwriting, or use it as a contrasting slower piece in a program mixing jazz and contemporary repertoire. The 7-page length makes it an ideal inclusion without requiring extended rehearsal time relative to its performance impact.

Skills your students will build

  • Voice leading within three-part harmony
  • Phrasing and shaping lyrical lines across longer musical sentences
  • Balancing harmonic texture in the middle voice
  • Interpreting jazz and standards with legit choral technique
  • Articulation and diction in conversational, lyric-driven singing

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