Change The World (arr. Deke Sharon, David Wright) Sheet Music Preview

Change The World (arr. Deke Sharon, David Wright): TTBB Choral Octavo

As performed by Eric Clapton / Arranged by David Wright / Arranged by Deke Sharon

Item: 35-DS00427415

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00427415

More about this title

About the Artist: Eric Clapton

Eric Clapton's career spans five decades of blues-inflected rock and pop songwriting. His 1992 album "Unplugged in New York" marked a turning point toward acoustic arrangements and introspective material, establishing the template for much of his subsequent work.

For music educators, Clapton represents a bridge between popular songwriting and serious musicianship. His melodies reward harmonic exploration and his songs often contain emotional depth that resonates with student performers seeking meaningful repertoire beyond novelty pop.

Why we love this

This arrangement transforms a contemporary classic into genuine choral writing rather than a simple transcription. Sharon and Wright have crafted parts that sit comfortably for male voices while preserving the song's emotional core, making it an accessible entry point for TTBB groups looking to program modern material with substance.

What to expect

Intimate and reflective, with the earnestness of acoustic storytelling. The arrangement captures the original's conversational quality while allowing male voices to inhabit the melody naturally, creating an understated emotional impact rather than a showcase.

Who it's for

TTBB choirs seeking repertoire that speaks to contemporary sensibilities without sacrificing vocal writing standards. This works particularly well for groups comfortable with four-part texture and interested in programming popular song alongside traditional choral music.

How to get the most out of it

  • Protect the song's quiet vulnerability in early rehearsals by resisting the urge to pile on dynamics. Let the harmonic movement speak first.
  • Balance the inner voices carefully since they carry crucial harmonic color. A well-blended alto line often makes or breaks the arrangement's warmth.
  • Coordinate breath points across the ensemble to maintain phrase integrity, especially across longer melodic lines where the lyrics might tempt early breathing.
  • Reference the original recording to internalize the song's pacing and rubato, then adapt it thoughtfully to your ensemble's tempo preferences.

How to use it

Consider pairing this with other folk-influenced or singer-songwriter material to create a programming thread through your concert. It also works as a closer or penultimate selection where audiences appreciate sincerity over spectacle.

Skills your students will build

  • Blending sustained harmonic sonorities in a cappella context
  • Phrase shaping and text expression in contemporary song
  • Balancing inner voice independence with ensemble cohesion
  • Navigating flexible tempos and rhythmic elasticity in popular song arrangement

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