Change (feat. James Taylor) (arr. Mark Brymer) Sheet Music Preview

Change (feat. James Taylor) (arr. Mark Brymer): 2-Part Choral Octavo

As performed by Charlie Puth / Arranged by Mark Brymer

Item: 35-DS00428384

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00428384

More about this title

About the Artist: Charlie Puth

Charlie Puth is a singer, songwriter, and producer known for his precise musicianship and innovative approach to pop songwriting. His work demonstrates sophisticated harmonic sensibility and meticulous attention to arrangement detail, qualities that translate effectively into choral settings.

Why we love this

Mark Brymer's arrangement captures the emotional directness of this song while making it singable for developing choirs. The 2-part voicing respects the original's melodic beauty without oversimplifying it, and the addition of James Taylor's presence gives the arrangement genuine artistic weight.

What to expect

Intimate and reflective, with a modern sensibility that never sacrifices emotional honesty. The arrangement creates space for vulnerability while maintaining the song's inherent accessibility.

Who it's for

Choirs of mixed ability looking for contemporary repertoire with genuine substance. This works for middle school through adult ensembles seeking something beyond typical pop arrangements.

How to get the most out of it

  • Balance the two parts so neither drowns out the supporting voice; this song asks for transparency, not blend.
  • Maintain the conversational tone throughout; treat this like spoken sincerity set to music rather than a formal choral work.
  • Pay attention to phrase breathing in places where the lyrics naturally pause; let silence work for you.

How to use it

Pair this with other emotionally grounded pop songs to build a set that showcases your choir's range beyond traditional choral fare. It works equally well as a concert closer or as part of a program exploring contemporary social themes.

Skills your students will build

  • Singing conversational phrasing in contemporary pop style
  • Maintaining independence of two vocal lines with minimal instrumental support
  • Interpreting lyrics with nuance and restraint
  • Reading modern pop notation and rhythmic figures

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