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Championship Corps-Style Contest Solos: Snare Drum Book

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Championship Corps-Style Contest Solos Cover Image

Championship Corps-Style Contest Solos: Snare Drum Book

For the Intermediate-Advanced Snare Drummer

By Jay Wanamaker

Item: 00-2428

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Description
Seven innovative rudimental snare drum solos composed in the drum-corps style. These musical contest solos include a number of visual effects, as well as corps-style rudiments.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7390-0933-8
ISBN13: 978-0-7390-0933-8
UPC: 038081019703
SKU: 00-2428

More about this title

About the Author: Jay Wanamaker

Jay Wanamaker

Jay Wanamaker brings three decades of experience across education, performance, and industry leadership. He has composed and edited over 50 publications spanning method books, educational articles, and multimedia content. His work has been featured in major film productions, including the drum solo that appeared in Drumline, and his resume includes conducting assignments for the 1984 Olympic Opening Ceremonies, Pan Am Games, Super Bowl XXIII, and the McDonald's All-American High School Band.

Wanamaker served on the music faculty at the University of Southern California's Thornton School of Music, where he directed the USC Percussion Ensemble and the Trojan Marching Band drum line. He held leadership positions at both Yamaha and Guitar Center, and has contributed significantly to the Percussive Arts Society, including a tenure as chairman of the International Drum Rudiment Committee and the Marching Percussion Committee. His degrees include a Master of Management from Aquinas College, a Master of Music from the University of Kansas, and a Bachelor of Music Education from the Crane School of Music at SUNY Potsdam.

Why we love this

Wanamaker understands exactly what judges and audiences want in a snare drum contest solo. Each piece combines the technical demands of corps-style rudimental work with visual staging elements that keep audiences engaged, so your soloists have material that builds their rudiment vocabulary while also being genuinely fun to perform. Seven solos at this level means you have real choice when selecting a contest piece suited to your drummer's strengths and personality.

What to expect

The energy of a drum corps field line translated into solo format. These pieces feature the drive, precision, and visual dynamism you hear in competitive corps drumming, with rudimental passages that challenge your command of flams, drags, rolls, and combinations while giving you genuine musical moments to shape.

Who it's for

Snare drummers preparing for solo competition, whether in scholastic, open, or independent drum corps contexts. These solos work best for players who have a solid grasp of standard rudimental patterns and who are ready to apply that technique to performance situations with staging and musical demands.

How to get the most out of it

  • Nail the visual effects as deliberately as you execute the rudiments. These aren't distractions from the music; they're part of the performance vocabulary. Practice the choreography alongside the sticking until both feel natural.
  • Lock into the corps-style articulation standards from the beginning. The clarity and precision these solos demand comes from understanding how to voice each rudiment with the attack and release that judges expect.
  • Record yourself regularly and listen critically for evenness within each rudiment and balance between hands. Corps-style writing exposes any inconsistencies in your technical foundation.

How to use it

Build your spring solo competition lineup around these pieces, or use them as your primary solo material for students aiming for DCI or regional circuit events. The variety across seven solos means you can assign different pieces to different students based on their technical level and performance style, giving everyone a contest vehicle that feels authentic to the drum corps genre.

Skills your students will build

  • Command of corps-style rudiments including double strokes, flams, drags, and their combinations
  • Precision and evenness in fast stickings with consistent volume and articulation
  • Integration of visual effects with technical execution
  • Performance maturity and stage presence in competitive context
  • Rhythmic accuracy and control at varied tempos and dynamic levels

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