Centuries Sheet Music Preview

Centuries: Marching Band Conductor Score & Parts

As Recorded by Fall Out Boy

Words and music by Suzanne Vega, Justin Tranter, Raja Kumari, Jonathan Rotem, Michael Fonesca, Andrew Hurley, Patrick Stump, Pete Wentz, and Joseph Trohman [Fall Out Boy] / arr. Nick Baratta

Grade: 3 (Medium)

Item: 00-PK-0006750

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Description
This powerful hit from pop-punk rock band Fall Out Boy has been all over the airwaves. It's unique style and solid scoring by arranger Nick Baratta make it a natural choice for on or off the field! (1:45)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Centuries: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Premier Series for Marching Band
Publisher: Alfred Music
Page Count: 124
SKU: 00-PK-0006750

More about this title

About the Composer: Suzanne Vega

Suzanne Vega is a singer-songwriter known for her introspective, narrative-driven approach to pop music since the 1980s. Her songwriting has influenced multiple genres, and her collaborations with contemporary writers like Justin Tranter and Raja Kumari demonstrate her continued relevance across musical styles.

Why we love this

Nick Baratta's arrangement captures the infectious energy of the original without sacrificing the song's rhythmic sophistication. At Grade 3, it sits perfectly for bands looking to program contemporary hits that challenge students musically while keeping them genuinely invested in the material.

What to expect

The arrangement carries the urgency and swagger of the original recording while building an ensemble sound that feels both polished and propulsive. Syncopated rhythms and rhythmic precision create the kind of forward momentum that makes marching bands sound contemporary and alive.

Who it's for

Marching bands seeking repertoire that engages modern students while maintaining musical substance. Directors who want to program contemporary pop-rock hits without compromising ensemble musicianship or difficulty level.

How to get the most out of it

  • Lock the funk groove in the rhythm section first; the pocket drives everything else, so establish that pocket before layering in melodic lines.
  • Balance the syncopated rhythms across sections by rehearsing them in isolation before combining parts; students often rush when learning syncopation in ensemble context.
  • Use the 1:45 duration strategically for pacing on the field; consider how transitions flow if this becomes part of a larger program or medley.
  • Address dynamic control in the pop-rock idiom; students accustomed to traditional march dynamics often play funk and rock styles too uniformly.

How to use it

Program this as a feature piece that stands on its own strength, or use it to anchor a pop-rock sequence that appeals to your band's younger members and builds confidence in contemporary styling. Its manageable Grade 3 level makes it accessible for mid-season learning without sacrificing impact.

Skills your students will build

  • Syncopated rhythms and funk-based rhythmic patterns
  • Dynamic control in pop-rock idiom
  • Ensemble cohesion in contemporary music styles
  • Reading and executing parts in pop-influenced arrangements

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