Celia: Jazz Ensemble Conductor Score & Parts
As performed by Bud Powell / Arranged by Mark Taylor
Grade: 5
Item: 35-PK00381642
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Celia - Conductor Score (Full Score) | $7.50 | |
| Celia - Alto Sax 1 | $6.00 | |
| Celia - Alto Sax 2 | $6.00 | |
| Celia - Tenor Sax 1 | $6.00 | |
| Celia - Tenor Sax 2 | $6.00 | |
| Celia - Baritone Sax | $6.00 | |
| Celia - Trumpet 1 | $6.00 | |
| Celia - Trumpet 2 | $6.00 | |
| Celia - Trumpet 3 | $6.00 | |
| Celia - Trumpet 4 | $6.00 | |
| Celia - Trombone 1 | $6.00 | |
| Celia - Trombone 2 | $6.00 | |
| Celia - Trombone 3 | $6.00 | |
| Celia - Trombone 4 | $6.00 | |
| Celia - Guitar | $6.00 | |
| Celia - Piano | $6.00 | |
| Celia - Bass | $6.00 | |
| Celia - Drums | $6.00 | |
| Celia - Vibes | $6.00 |
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Description
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More about this title
About the Artist: Bud Powell
Bud Powell stands as one of the most influential pianists in bebop history, shaping the language of modern jazz through his virtuosic technique and harmonic sophistication. His compositions, including "Celia," became standards that defined the bebop era and continue to challenge and inspire musicians across generations.
Why we love this
Mark Taylor's arrangement transforms Powell's bebop blueprint into a contemporary vehicle that balances hip-hop grooves with classic swing feel, making it engaging for ensembles who straddle traditional jazz and modern idioms. The distributed solo opportunities and ensemble shout sections give every section a moment to shine, while the extended trumpet soli provide real brass writing that sits perfectly at Grade 5.
What to expect
Celia swings with a modern edge, mixing the tight articulation of bebop with a hip-hop sensibility that feels fresh without abandoning the music's roots. The opening melody feels sleek and sophisticated, while the ensemble sections have an infectious energy that invites audiences in.
Who it's for
Jazz ensembles working at Grade 5 and comfortable with both swing tradition and contemporary grooves will find immediate value here. Directors seeking material that appeals to younger players while maintaining genuine jazz content will appreciate how accessible yet musically substantial this chart proves to be.
How to get the most out of it
- Anchor the hip-hop element in the rhythm section first. The groove should feel present but never overpowering; let it support rather than dominate the front line.
- Shape the alto, tenor, and trumpet opening as a cohesive line. These three voices need to breathe together and land their articulations as one unit.
- Give the trumpet section soli time to lock their voicings in rehearsal. The blend matters as much as the individual notes.
- Balance the tenor sax solo against the full ensemble. The player should cut through naturally without the band pulling back too much.
How to use it
This works beautifully on a concert that mixes classic jazz standards with contemporary approaches, or as a contrast piece to more straightahead swing tunes earlier in the set. It's equally effective as a season opener that signals to audiences you're drawing from jazz's full historical palette.
Skills your students will build
- Comping changes in both swing and hip-hop contexts
- Melodic phrasing across alto, tenor, and trumpet ranges
- Solo construction over bebop changes
- Ensemble balance when blending section soli
- Stylistic flexibility between swing and contemporary grooves
- Dynamic control in extended shout choruses