Celebration: SSA Choral Octavo
Words and music by Ronald Bell, Claydes Smith, George Brown, James Taylor, Robert Mickens, Earl Toon, Dennis Thomas, Robert Bell, and Eumir Deodato / arr. Kirby Shaw
Level: Moderate
Item: 00-PO-0002558
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Ronald Bell
Ronald Bell is a founding member and keyboardist of Kool & the Gang, the legendary funk and soul ensemble that shaped popular music from the 1970s onward. As a composer and bandleader, Bell crafted some of the most infectious, durable party anthems in music history, songs built on irresistible grooves and mass appeal.
Bell's work demonstrates how strong melodic writing and rhythmic precision create music that endures across decades and generations. His compositions remain classroom staples because they connect immediately with singers and audiences alike, proving that accessible doesn't mean artistically shallow.
Why we love this
This arrangement captures everything that makes the original a phenomenon: an immediately singable melody, infectious energy, and built-in audience participation. Kirby Shaw's SSA voicing strips away nothing essential while opening the song to wider vocal ranges, making it accessible for mixed-ability choirs without losing the funk groove that defines the tune.
What to expect
The opening sits somewhere between celebration and pure funk groove. As the melody settles in, that irresistible earworm quality takes over, built on a bedrock of syncopated rhythm that makes standing still nearly impossible. This is music designed to make people smile, move, and sing along.
Who it's for
This octavo suits concert choirs, pop ensembles, and all-levels auditioned groups at the middle school and high school levels. Directors seeking an energetic closer, a pops concert showstopper, or simply a piece that guarantees joy will find this invaluable.
How to get the most out of it
- Lock the rhythm section (piano, bass, drums from the accompaniment track) in tight unison before adding the vocal parts. The groove is everything; once the foundation is solid, the melody sits naturally on top.
- Blend the two vocal parts as one unified sound rather than emphasizing the alto line as a counterpart. This arrangement works best when SSA voices create a cohesive harmonic mass.
- Encourage audience participation with the signature "Wa hoo!" shout during the final sections. This is not a moment for restraint; the more your singers commit to the call-and-response energy, the more contagious the performance becomes.
- Keep the articulation crisp and precise on shorter note values. The pop style demands clean attacks and releases, especially in rhythmic unison sections.
How to use it
Program this as a concert finale to send audiences out with infectious energy, or use it as the centerpiece of a spring pops concert. It pairs beautifully with other contemporary pop or funk-influenced choral arrangements and works equally well as a standalone showstopper that needs no framing.
Skills your students will build
- Rhythmic precision in syncopated pop idioms
- Blend and balance in close-voiced SSA harmony
- Articulation and style in contemporary music
- Confidence in energetic, audience-engaged performance