Celebrate! (arr. Mark Brymer) Sheet Music Preview

Celebrate! (arr. Mark Brymer): SATB Choral Octavo

By Joseph Jonas / By Kevin Jonas II / By Nick Jonas / By Jon Bellion / By Laura Veltz / By Alexander Izquierdo / By Stefan Adam Johnson / By Jordan Kendall Johnson / By Peter Anthony Nappi / By Jason A. Cornet / As performed by Jonas Brothers / Arranged by Mark Brymer

Item: 35-DS01920080

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS01920080

More about this title

About the Composer: Joseph Jonas

Joseph Jonas is best known as a member of the Jonas Brothers, the pop rock trio that defined a generation of popular music in the 2000s and 2010s. Beyond his work as a performer and recording artist, Jonas has demonstrated consistent songwriting ability across the band's catalog, contributing to tracks that span pop, rock, and theatrical idioms. His experience writing for both intimate vocal arrangements and large ensemble settings makes his compositional voice particularly valuable in choral contexts.

Why we love this

Mark Brymer's arrangement captures the infectious energy of the original while respecting the strengths of a four-part choir. The voicing is smart and singable without sacrificing the contemporary pop sound that makes this piece irresistible to students, which means your ensemble gets to perform something they actually want to sing.

What to expect

Uplifting and celebratory, with the kind of modern pop polish that feels current without being gimmicky. The piece radiates optimism and has the quality of a genuine crowd moment; singing it generates momentum and lift rather than requiring it.

Who it's for

Choirs looking to connect with student singers through contemporary pop repertoire will find this accessible and engaging. The SATB voicing works for mixed choirs of intermediate to advanced ability; the arrangement assumes solid blend and pitch control but doesn't demand extensive technical prowess.

How to get the most out of it

  • Nail the rhythmic precision of the opening moments; even a fraction of a beat lost here undermines the groove that carries the entire piece.
  • Balance the verse sections so that upper voices don't overshadow the harmonic foundation in the lower parts, especially where the arrangement thickens.
  • Treat the dynamic shifts as structural signposts rather than arbitrary markings. Each swell or pull-back signals a new section or emotional turn.

How to use it

This works exceptionally well on a concert that mixes show choir and classical works, or as an encore that sends the audience out smiling. Consider placing it after a more introspective piece to showcase your ensemble's range and versatility.

Skills your students will build

  • Singing contemporary pop idioms with precision and style
  • Balancing upper and lower voices within a homophonic texture
  • Executing clean dynamic shifts that serve musical architecture
  • Maintaining rhythmic integrity in syncopated material

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