Cedar Hollow: from Buffalo River Suite Cover Image

Cedar Hollow: from Buffalo River Suite: String Orchestra Conductor Score & Parts

$46.00 USD
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Cedar Hollow: from Buffalo River Suite Cover Image

Cedar Hollow: from Buffalo River Suite: String Orchestra Conductor Score & Parts

By Bud Woodruff

Grade: 1.5

Item: 36-50250145

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Description
Cedar Hollow is a small valley in the Ozarks. This work captures the essence and tranquility of the area. The optional harp part will enhance the ensemble wonderfully if used, while skillful writing makes the work playable with no shifting.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Cedar Hollow: from Buffalo River Suite: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: LudwigMasters Beginning Strings
Publisher: Keiser Productions, Inc.
UPC: 679360746851
SKU: 36-50250145
Instrumentation: String Orchestra

More about this title

Why we love this

Woodruff writes with genuine restraint here, letting open strings and simple voicings do the work rather than piling on technical demands. The optional harp enriches the sound without becoming essential, giving you flexibility based on what your program can support. At 1.5, this is one of those rare pieces that actually sounds mature when played well.

What to expect

Quiet and expansive, like discovering a small clearing in wooded terrain. The piece breathes gently, with the strings creating a sense of stillness and natural beauty without demanding virtuosity.

Who it's for

Beginning string orchestras ready for something beyond technical exercises but not yet equipped for frequent position shifts. This works well for ensembles building confidence in ensemble blend and stylistic restraint.

How to get the most out of it

  • Keep the opening transparent. Resist the urge to push volume; the tranquility comes from space and clarity between the parts.
  • Balance the harp part carefully if you use it. It should shimmer underneath, not dominate the string writing.
  • Work the bow distribution in first position passages so students maintain a consistent tone across bow changes without accenting the transitions.

How to use it

This fits perfectly on a spring concert paired with folk or Americana selections, or as an opening piece that sets a contemplative tone before more energetic works. It also works as a festival or contest entry where your goal is demonstrating musicianship over technical flash.

Skills your students will build

  • Sustaining tone quality across longer phrases in first position
  • Balancing ensemble blend across multiple string parts
  • Responding to dynamic shapes that require control rather than volume
  • Reading simple but music-focused string textures

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