Catherine Rollin's Favorite Solos, Book 2 Cover Image

Catherine Rollin's Favorite Solos, Book 2: Piano Book

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Catherine Rollin's Favorite Solos, Book 2 Cover Image

Catherine Rollin's Favorite Solos, Book 2: Piano Book

9 of Her Original Piano Solos

By Catherine Rollin

Level: Early Intermediate / Intermediate

Item: 00-25392

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Description
The contents of this book have been personally selected by Catherine Rollin as some of her all-time favorite sheet music solos. Many of the solos are among the most requested by piano teachers and students alike. The varied styles of each piece makes this book a valuable supplement to most piano methods. This book contains 9 early intermediate to intermediate pieces including: Ballad for Our Time * Butterscotch Rag * El Conquistador * Jazz Waltz * Legends of the Canyon * Morning Reverie * Tango Tangle * Tendresse * Wish Upon a Star.

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Additional Details
Series: Favorite Solos
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-3999-7
ISBN13: 978-0-7390-3999-1
UPC: 038081272276
SKU: 00-25392

More about this title

About the Composer: Catherine Rollin

Catherine Rollin

Catherine Rollin balances an active composing career with mentoring students who have gone on to win major awards. Her work has taken her across North America and Asia, where she leads workshops and masterclasses that bring her compositions directly to teachers and students. Her educational credentials include a Bachelor of Musical Arts with distinction from the University of Michigan and a Master of Music from Oakland University School of Performing Arts.

Rollin's compositions have earned recognition from prestigious organizations including MTNA (Music Teachers National Association), the National Federation of Music Clubs, and ASCAP. She has served as a national judge for the MTNA Student Composition Competition and the Lynn Freeman Olson Composition Contest. Her commissions span major music education organizations and societies; her trio for flute, alto saxophone, and piano, Suite Detroit, premiered at the 2018 MTNA national conference. The Steinway Society has featured her in concert as both composer and pianist, and her multimedia series Museum Masterpieces has become widely known in piano studios.

Why we love this

Rollin understands exactly what works in the studio because she teaches and performs constantly. This collection pulls together pieces that have proven themselves in real teaching situations, which means every solo engages students while building genuine musicianship. The stylistic variety ensures you can match pieces to individual student interests and strengths without sacrificing musical quality.

What to expect

These solos move between intimate moments of reflection (Morning Reverie, Tendresse, Wish Upon a Star) and rhythmic vitality (Butterscotch Rag, Tango Tangle, El Conquistador), giving students a chance to experience the full range of what piano can express. The writing is idiomatic and direct; you're not translating orchestral textures or vocal lines but playing music shaped for the instrument itself.

Who it's for

Early intermediate to intermediate piano students who thrive with variety and enjoy exploring different musical styles within a single book. Teachers looking for supplementary material that complements standard methods while keeping students motivated through recognizable, engaging pieces.

How to get the most out of it

  • Pay attention to the jazz idioms in pieces like Butterscotch Rag and Jazz Waltz; the syncopation and swing feel require careful listening to how the rhythms sit against the steady beat, not just reading the notes on the page.
  • Use the character indicated by each title as your entry point to interpretation; Morning Reverie and Tendresse invite lyrical, expressive playing, while El Conquistador and Tango Tangle demand rhythmic precision and energy.
  • Balance technical work with musical storytelling; these pieces offer opportunities to focus on pedal control, dynamic shaping, and phrase direction without overwhelming early intermediate players.
  • Record yourself frequently to develop ear training alongside technique; hearing your own performance helps you recognize whether the stylistic elements are coming through clearly.

How to use it

Select individual pieces to program a studio recital that showcases your students' stylistic range without requiring them to learn entirely new technique. Use the collection as a reward system where students choose their next solo based on what speaks to them, which maintains motivation across multiple semesters. The varied lengths and styles also make these pieces ideal for community performances, informal studio gatherings, or festivals where you want strong, well-written music that doesn't demand extensive preparation.

Skills your students will build

  • Rhythmic accuracy in syncopated and swing-based patterns
  • Stylistic interpretation across jazz, classical, Latin, and contemporary idioms
  • Pedal control and tonal coloring
  • Phrase direction and dynamic shaping
  • Sight-reading in diverse musical contexts
  • Performance confidence through accessible, engaging repertoire

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