Carols of Joy: 2nd Percussion Sheet Music Preview

Carols of Joy: 2nd Percussion

Featuring: Ding-Dong, Merrily on High / Good King Wenceslas / Go, Tell It on the Mountain

Traditional / arr. Douglas E. Wagner

Grade: 1 (Very Easy)

Item: 00-PC-0001183_PC2

Digital Download
$3.00
Description
Three instantly recognizable holiday favorites are joined in Douglas E. Wagner's newest holiday medley. Carols of Joy seamlessly blends three treasured carols. Musically representing France, Scandinavia, and the U.S.A. respectively, this medley will be a welcome addition to any holiday program. (2:09) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Carols of Joy: 2nd Percussion comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
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Sample Video
Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 68
SKU: 00-PC-0001183_PC2

More about this title

About the Arranger: Douglas E. Wagner

Douglas E. Wagner

Douglas E. Wagner trained at Butler University and spent three decades as a high school music director before committing himself fully to composition and arranging. His output since 1973 has been staggering: more than 3,500 published works spanning choir, concert band, orchestra, handbell ensemble, organ, and piano, with over seventeen million copies in circulation worldwide.

Wagner's music reaches audiences across concert halls, broadcast media, and school programs internationally. Based in Indianapolis, he has become one of the most prolific and performed contemporary composers in music education, with a particular gift for creating accessible yet musically satisfying arrangements that work in real rehearsal rooms.

Why we love this

Wagner knows exactly what Grade 1 bands need: arrangements with genuine musical substance that don't demand impossible technical feats. This medley's seamless flow between three recognizable carols gives your ensemble a complete, polished-sounding concert number without the rehearsal burden of learning three separate pieces. The cultural diversity built into the arrangement makes it a natural fit for any winter program seeking something beyond the standard holiday fare.

What to expect

Festive and warm without being saccharine. The medley format creates a sense of musical journey, moving from the gentle French carol through the northern European melody into an American familiar favorite. It feels both timeless and freshly arranged, letting your band sound confident and musical.

Who it's for

Beginning concert bands ready to perform something recognizable and musically coherent. Directors at Grade 1 level who want their students to feel the satisfaction of playing a complete, programmatic work within their technical grasp.

How to get the most out of it

  • Balance the melodic material across sections as the medley shifts between the French, Scandinavian, and American traditions; resist the urge to let the familiar melodies overshadow the supporting voices.
  • Use the medley structure to your advantage during sectional rehearsals, treating each carol as its own learning block before connecting them during full ensemble work.
  • Shape the transitions between movements with subtle tempo clarity so the audience hears the medley as one continuous arc rather than three disconnected pieces.

How to use it

Anchor your holiday concert's second half with this medley, or open your program with it to set a celebratory tone. The two-minute duration makes it perfect pairing with longer works or as a standalone feature that gives beginners genuine solo-concert weight. Ideal for winter programs in December or January when your band has built enough facility to execute clean transitions.

Skills your students will build

  • Maintaining ensemble balance within a multi-sectional arrangement
  • Executing smooth transitions between distinct musical sections
  • Performing at Grade 1 technical level with musical phrasing and line awareness
  • Recognizing and playing cultural melodic variations in a single work

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