Carols in Concert: Concert Band Conductor Score & Parts
Arr. John Kinyon
Grade: 1 (Very Easy)
Item: 00-PK-0000250
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| Product | Price | Quantity |
|---|---|---|
| Carols in Concert: Score | $5.00 | |
| Carols in Concert: Flute | $3.00 | |
| Carols in Concert: Oboe | $3.00 | |
| Carols in Concert: 1st B-flat Clarinet | $3.00 | |
| Carols in Concert: 2nd B-flat Clarinet | $3.00 | |
| Carols in Concert: E-flat Alto Saxophone | $3.00 | |
| Carols in Concert: E-flat Baritone Saxophone | $3.00 | |
| Carols in Concert: 1st F Horn | $3.00 | |
| Carols in Concert: 1st B-flat Trumpet | $3.00 | |
| Carols in Concert: 2nd B-flat Trumpet | $3.00 | |
| Carols in Concert: 1st Trombone | $3.00 | |
| Carols in Concert: Baritone T.C. | $3.00 | |
| Carols in Concert: Tuba | $3.00 | |
| Carols in Concert: 1st Percussion | $3.00 |
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About the Arranger: John Kinyon

John Kinyon earned degrees from Ithaca College and the Eastman School of Music, along with an honorary doctorate from Limestone College in South Carolina. He brings decades of experience as an instrumental music director, music department administrator, educational director for Warner Brothers Music, and faculty member at the University of Miami before transitioning to semi-retirement in Tuckasegee in 1982.
Kinyon has become one of the most prolific voices in educational music publishing, with over 250 original compositions for Alfred spanning marches, ballads, and overtures. His catalog ranges from Grade 1 through Grade 3, consistently demonstrating his gift for writing music that serves young ensembles without compromising musicality or character.
Why we love this
Kinyon has arranged these carols with genuine understanding of what first-year players can actually achieve. The orchestration respects the limits of developing musicians while keeping the melodies recognizable and the harmonic support genuinely musical, so your band sounds prepared and confident. Combined with 102 pages of full conductor score and parts, you get a complete winter concert ready to go.
What to expect
Warm and familiar. These carols arrive with melodies already lodged in listeners' heads, so the band's job is simply to play them clearly and with honest expression. There's a comfort in simplicity here, no flashy passagework, no register-straddling lines, just straightforward seasonal music that lets ensemble sound grow naturally.
Who it's for
First-year concert band students and directors looking for holiday material that actually sits within their technical and musical reach. These arrangements work equally well for middle school beginners or high school students new to band, offering recognizable melodies without embarrassing simplicity.
How to get the most out of it
- Balance the melody line clearly without drowning out the supporting voices; first-year players often struggle with listening to the band as a whole, so mark phrase entrances and cutoffs in rehearsal.
- These familiar tunes invite slow tempos; resist the urge to drag by keeping a steady beat and establishing clear pulse through the accompaniment parts.
- Isolate any passages where multiple sections enter simultaneously to ensure clean attacks; unison or near-unison entries expose timing issues quickly at this level.
- Let the minor-key arrangements (such as 'Good King Wenceslas') breathe; the harmonic color will resonate more deeply if you don't rush through phrase changes.
How to use it
Dedicate a full winter concert to carols in concert format, letting the collection anchor your programming rather than scattered throughout other music. Alternatively, open your December concert with a medley or several selections from this book to establish the season before transitioning to other repertoire. The grade level and cohesive arrangement style make it ideal for community engagement performances, where families expect these melodies and appreciate hearing their own school band present them with care.
Skills your students will build
- Blend within and between sections using Grade 1 voicings
- Sustain long phrases over multiple measures
- Read parts with moving harmonic accompaniment alongside melody
- Balance dynamic nuance within a restricted technical range
- Approach familiar melodies as interpretive rather than rote