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Carol Stringfest: Beginning Violin Part(s)

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Carol Stringfest Cover Image

Carol Stringfest: Beginning Violin Part(s)

Arr. Mary Cohen

Level: Elementary

Item: 12-0571521428

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Description
Carol Stringfest presents popular carols in flexible arrangements for string quartet, beginner strings and duet. The books in the series can be used independently or in conjunction with one another. The inclusion of very simple parts for absolute beginners and an optional piano accompaniment, to support less confident groups, makes the series valuable to a wide range of abilities. Lyrics are also provided, so there is something for everyone, a must for Christmas!

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Additional Details
Series: Faber Edition
Publisher: Faber Music
Page Count: 4
ISBN10: 0-571-52142-8
ISBN13: 978-0-571-52142-5
UPC: 9780571521425
SKU: 12-0571521428
Instrumentation: Beginning Violin

More about this title

About the Arranger: Mary Cohen

Mary Cohen

Mary Cohen brings decades of experience designing string music for learners at every stage, from those picking up the violin for the first time to advanced players. Her training at the Royal College of Music in violin, piano, composition, and chamber music gives her deep insight into both the technical and musical demands of string playing. After performing with the City of Birmingham Symphony Orchestra, she established a private teaching practice that became the laboratory for her pedagogical innovations. She has served as a technical consultant and composer for the Associated Board of the Royal Schools of Music since 2001, shaping their Music Medals program.

Cohen's passion for chamber music runs throughout her work. She founded String Quartets From Scratch, a club introducing ensemble playing to young musicians ages 7-18, and has created extensive chamber repertoire including the Quartetstart series. Her philosophy centers on connecting instrument learning to broad musical experience while honoring each student's individual learning style. Her publications for early learners, including the Superseries, combine accessibility with genuine musical appeal, making technique progression feel natural rather than mechanical. More than sixty of her string compositions are in print and used by major examining bodies worldwide.

Why we love this

Cohen has designed this collection specifically for mixed-ability string groups, recognizing that beginners and more experienced players often share the same rehearsal space. The flexible scoring means your group isn't limited by the least advanced reader; absolute beginners can sustain simple parts while stronger players carry harmonic and melodic complexity. The optional piano accompaniment gives less confident ensembles crucial harmonic support, and the inclusion of lyrics opens doors to cross-curricular programming and family concerts where everyone can participate in a meaningful way.

What to expect

Warm and accessible, these arrangements honor the familiar shapes of beloved carols while keeping the technical demands manageable. Even simplified parts sound complete and intentional rather than skeletal, giving young players the satisfaction of contributing something recognizable to the whole.

Who it's for

Violin teachers introducing ensemble playing to absolute beginners, school orchestra directors programming winter concerts with mixed-level students, and chamber music enthusiasts running youth groups where ages and abilities vary widely. The collection works equally well for private studio recitals and larger ensemble settings.

How to get the most out of it

  • Assign parts strategically by ability rather than instrument count. Multiple violins can play the beginner line, allowing you to balance the ensemble sound without leaving any player behind.
  • Use the lyrics during rehearsals to help beginners internalize phrasing and shape. Carol melodies are memorable, and knowing the words helps violinists understand where phrases breathe.
  • Layer the accompaniment selectively. If your group feels secure with just the beginner and intermediate parts, hold the piano back; add it when intonation or confidence wavers.
  • Run through the ensemble parts in a separate section before blending with piano. This gives beginning violinists a chance to lock into rhythm without competing with harmonic color.

How to use it

Slot this into winter concerts as an ensemble feature, inviting soloists or small groups to step forward while the larger ensemble provides continuity. The optional piano accompaniment makes it flexible enough to perform with or without additional resources, and the lyrical content pairs naturally with spoken holiday readings or multi-art presentations.

Skills your students will build

  • Playing in ensemble while reading a part distinct from the melody
  • Sustaining whole notes and longer values to support harmonic texture
  • Balancing tone and intonation across multiple string players
  • Connecting phrasing to lyrical content and text expression

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