Carol Sing!: Unison Choral Octavo
By Flory Jagoda / Arranged by Alicia Shumate
Item: 35-PK00315263
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Why we love this
John Leavitt's arrangement strips away complexity without sacrificing musicality, letting your singers focus on clear, confident delivery. The unison writing suits mixed choirs where blend matters more than part independence, and the Chanukah context gives you repertoire that honors this observance with genuine musical substance.
What to expect
Warm and celebratory, with the accessibility that makes unison singing feel inclusive rather than limiting. The piece invites singers to focus on expression and ensemble unity rather than navigating divisi passages.
Who it's for
Elementary and middle school choirs, mixed adult community choirs just beginning their rehearsal season, or any group looking for seasonal repertoire that doesn't demand significant harmonic complexity. Teachers working with developing singers will appreciate the straightforward vocal writing.
How to get the most out of it
- Shape the phrases with intention even in unison. Young singers often think unison means straight through, but Leavitt's phrasing points suggest natural breath spots and dynamic contours.
- Keep vowel spaces consistent across the ensemble. Unison exposes any singer who's not matching the group sound, so use this piece to reinforce proper vowel formation.
- Consider light accompaniment doubling the melody line to strengthen pitch security during early rehearsals, then gradually pull back as confidence builds.
How to use it
Pair this with other Chanukah selections to build a festival program, or feature it as a standalone seasonal offering during December concerts. At six pages, it's substantial enough to anchor a shorter concert set without overshadowing other pieces.
Skills your students will build
- Phrasing and breath placement in a single melodic line
- Vowel consistency and blend in unison singing
- Expressive singing without harmonic complexity
- Cultural literacy around Chanukah musical traditions