Carol of the Kings: Concert Band Conductor Score & Parts
Arranged by Mekel Rogers
Grade: 1.5
Item: 98-DB1605
$60.00
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Description
Bring in the holiday season with this clever arrangement that combines the Ukrainian Bell Carol with We Three Kings to create a stunning, yet playable work. Vivid percussion writing and bold statements from the winds create colorful effects that build to a powerful climax. A very different take on two holiday classics!
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Carol of the Kings: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
FJH Developing Band
Publisher:
The FJH Music Company, Inc.
SKU:
98-DB1605
More about this title
Why we love this
Rogers takes two beloved melodies and treats them as equal partners rather than stacking one over the other, which keeps both tunes recognizable and gives your band real musical conversation to shape. The percussion writing lifts what could be a straightforward mashup into something with genuine color and momentum, and the grade 1.5 scoring means your entire section can play meaningfully without shortcuts.
What to expect
Vibrant and luminous, with the familiar warmth of two well-known carols transformed into something more vivid than either alone. The Ukrainian Bell Carol's rhythmic energy meets the stately dignity of We Three Kings, and the result sparkles with color and forward motion rather than sentimentality.
Who it's for
Developing concert bands looking for a holiday piece that's accessible but genuinely musical. The grade 1.5 level serves bands with solid fundamentals but limited technical demands, making it ideal for winter concerts where you want holiday flavor without lengthy rehearsal time.
How to get the most out of it
- Balance the two melodies when they appear together; neither should disappear. Mark your wind entrances clearly in rehearsal so students know which tune carries the phrase.
- The percussion writing drives the arrangement forward. Make sure your battery understands they're not just coloring the background; Rogers has written them as a distinct voice that shapes the overall arc.
- Build the climax deliberately across the final section. Resist the urge to jump to full volume early; let the layers accumulate so the payoff lands with impact.
- Use the digital parts flexibly. If you're light on a section, doubling is straightforward at this level without compromising the arrangement's integrity.
How to use it
Pair this as a confident opener or closer on a holiday concert; it works equally well either way and gives audiences an immediate sense that this year's season celebration has teeth. If you're programming a longer set of holiday standards, this arrangement sits well between traditional and contemporary approaches.
Skills your students will build
- Balancing two simultaneous melodies with different characters
- Reading and executing rhythmic figures with precision and clarity
- Responding to percussion cues and understanding percussion as a structural voice
- Shaping phrase contours across a multi-section build to climax
- Articulation clarity in fast, energetic passages