Carol of the Bells Cover Image

Carol of the Bells: Brass Choir Conductor Score & Parts

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Carol of the Bells Cover Image

Carol of the Bells: Brass Choir Conductor Score & Parts

Ukrainian Folk Song / arr. David Marlatt

Item: 81-BC19115

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Description
This version of the holiday classic Carol of the Bells, based on the Ukrainian chant "Shchedryk," features all players in various roles. The percussion has an extended mallets trio section, where all the wind players rest and it is the percussionists time to shine. Lots of percussion colors are explored with each player required to play bells, xylophone, and vibes. This is something a little different at Christmas time---a modern, rhythmically interesting version that is fun to play and listen to.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-651-0
ISBN13: 978-1-77157-651-2
UPC: 685462026524
SKU: 81-BC19115

More about this title

About the Arranger: David Marlatt

David Marlatt is an arranger and composer whose work for brass and wind ensembles has become a staple in school and community programs. His arrangements are known for balancing accessibility with musical substance, giving students engaging material that doesn't sacrifice artistry or technical challenge.

Marlatt's approach to reimagining familiar repertoire creates fresh contexts for ensemble playing. His writing prioritizes clarity and color while maintaining respect for the original material, making his arrangements both educational and genuinely rewarding to perform.

Why we love this

Marlatt's arrangement transforms a recognizable holiday standard into a rhythmically sophisticated piece that keeps performers and audiences engaged. The percussion feature isn't an afterthought; it's a structural centerpiece that justifies the mallets investment many programs already have while giving wind players a well-earned rest without sacrificing musical cohesion.

What to expect

Modern and propulsive, yet grounded in the melodic familiarity of the Ukrainian source material. The extended mallet section brings a luminous, almost meditative quality midway through, creating dynamic contrast and giving the piece an unexpected sophistication. When the brass reenters after the percussion feature, the return feels earned rather than inevitable.

Who it's for

Brass choirs and quintet-plus ensembles looking for contemporary holiday repertoire that steps away from predictable arrangements. This works equally well in winter concerts, festive community events, and programs that need to showcase percussion without abandoning the brass core.

How to get the most out of it

  • Lock the mallets section into a unified pulse during their feature. These three players are the only sound onstage, so any rhythmic wavering becomes immediately apparent; use rehearsals to establish complete independence from the brass before the feature.
  • Shade the brass entrances after the percussion feature with slight dynamic restraint. You've just come from bright mallet colors, so a soft attack on brass reentry prevents the texture from lurching.
  • Explore the range of percussion colors available to each player. Bells, xylophone, and vibes each project differently and have distinct timbral character; encourage percussionists to listen critically to how their instrument blends within the trio.
  • Balance the tempo with the rhythmic activity. Eighth Note Publications typically writes with modern, driving rhythms; a tempo that serves the momentum of the accompaniment may feel sluggish if the brass dominates too heavily in early sections.

How to use it

Open a winter concert with this as a statement piece that signals you're offering something beyond the typical holiday fare. It pairs well with more reverent seasonal music on the same program, creating program balance through contrasting energy and texture rather than repertoire that all sounds alike.

Skills your students will build

  • Rhythmic precision in contemporary idioms
  • Mallet technique across multiple percussion instruments
  • Dynamic control and ensemble balance in brass writing
  • Listening and responding to meter and pulse when separated from harmonic support

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