Carnival of the Animals, The - Suite (Le Carnaval des Animaux) Cover Image

Carnival of the Animals, The - Suite (Le Carnaval des Animaux): Full Orchestra, Conductor Score

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Carnival of the Animals, The - Suite (Le Carnaval des Animaux) Cover Image

Carnival of the Animals, The - Suite (Le Carnaval des Animaux): Full Orchestra, Conductor Score

By Camille Saint-Saëns, ed./arr. by Steven Rosenhaus

Item: 36-A007801

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Description
Following a disastrous concert tour of Germany in 1885-86, Camille Saint-Saëns (1835-1921) withdrew to a small Austrian village, where he composed THE CARNIVAL OF THE ANIMALS (LE CARNAVAL DES ANIMAUX) in February 1886. From the beginning, the composer regarded the work as a piece of fun. He wrote to his publishers Durand in Paris that he was composing a work for the coming Shrove Tuesday, and confessing that he knew he should be working on his Third Symphony, but that this work was "such fun" ("... mais c'est si amusant!"). He had apparently intended to write the work for his students at the École Niedermeyer, but it was first performed at a private concert given by the cellist Charles Lebouc on Shrove Tuesday, 9 March 1886. This orchestral suite version transcribed by Steven Rosenhaus includes: Introduction and Royal March of the Lions, Kangaroos, The Cuckoo Deep in the Forest Fossils and Finale. Instrumentation: 2+Picc.2.2.2: 2.2.2+BTbn.0: Timp.Perc(2): Str (9.8.7.6.5 in set).

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Additional Details
Series: Kalmus Concert Masters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63361-927-3
ISBN13: 978-1-63361-927-2
UPC: 659859249766
SKU: 36-A007801
Instrumentation: 2+Picc.2.2.2: 2.2.2+BTbn.0: Timp.Perc(2): Str (9.8.7.6.5 in set)

More about this title

About the Composer: Camille Saint-Saëns

Camille Saint-Saëns (1835-1921) was a French composer, organist, and pianist whose technical brilliance and prolific output shaped late 19th-century concert life. He won the admiration of Liszt and Berlioz, composed five symphonies and numerous concertos, and held major positions at French conservatories and concert halls. Saint-Saëns was equally at home writing grand opera, chamber music, and works for solo instruments.

Despite his serious reputation and academic standing, Saint-Saëns possessed a gift for wit and humor that occasionally burst through his refined surface. Carnival of the Animals stands as his most lighthearted work, written during a brief retreat from his grueling professional schedule. The piece reveals a composer who understood how to delight an audience while maintaining complete technical command.

Why we love this

This orchestral transcription delivers the full color and sophistication of Saint-Saëns' original piano score without requiring specialized solo pianists. The orchestration by Steven Rosenhaus preserves the work's character while distributing the musical material across the ensemble, making it accessible to orchestras of moderate size and giving every section meaningful participation in the narrative.

What to expect

Carnival of the Animals bounces between playful irreverence and genuine musical sophistication. Each movement captures a distinct animal character through orchestral color and melodic gesture, from the majestic stride of lions to the bounding energy of kangaroos. The work maintains Saint-Saëns' characteristic elegance even as it winks at the audience.

Who it's for

Conductors leading orchestras with moderate instrumentation who want to program a work that engages audiences of all ages without sacrificing musical substance. This version suits school orchestras, community orchestras, and professional ensembles seeking a showpiece that combines entertainment value with genuine orchestral craftsmanship.

How to get the most out of it

  • Balance the solo lines carefully against the accompaniment; each animal portrait deserves clarity without drowning out the orchestral texture that surrounds it.
  • Maintain a sharp rhythmic precision in the march sections, particularly the Royal March of the Lions, to capture the stately humor Saint-Saëns intended.
  • Shape phrases with direction even in the slower, more descriptive moments (The Cuckoo, Fossils); resist letting them drift into sentimentality.
  • Coordinate the percussion section closely, as timpani and other percussion mark structural points and color changes throughout the suite.

How to use it

Program this as a centerpiece for a family concert or educational performance where you can introduce orchestral instruments and compositional technique through recognizable animal characters. It pairs well with other light orchestral fare or with more serious symphonic works, serving as an appealing contrast that keeps audiences engaged without feeling out of place in a substantive concert.

Skills your students will build

  • Reading and balancing multiple independent melodic lines within a single movement
  • Responding to conductor cues that mark character shifts and textural changes
  • Maintaining rhythmic precision in marchlike sections while shaping lyrical phrases
  • Coordinating across orchestral sections to achieve unified phrasing and ensemble blend
  • Recognizing compositional techniques that depict narrative through orchestration

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