Carmen: Act IV (No. 26), March, Chorus, and Duet: Les voici! les voici! - Si tu m'aimes, Carmen Cover Image

Carmen: Act IV (No. 26), March, Chorus, and Duet: Les voici! les voici! - Si tu m'aimes, Carmen: Serious Opera, Orchestra Accompaniment, Conductor Score & Parts

$70.00 USD
$70.00 USD
Skip to product information
Carmen: Act IV (No. 26), March, Chorus, and Duet: Les voici! les voici! - Si tu m'aimes, Carmen Cover Image
Carmen: Act IV (No. 26), March, Chorus, and Duet: Les voici! les voici! - Si tu m'aimes, Carmen: Serious Opera, Orchestra Accompaniment, Conductor Score & Parts

Carmen: Act IV (No. 26), March, Chorus, and Duet: Les voici! les voici! - Si tu m'aimes, Carmen: Serious Opera, Orchestra Accompaniment, Conductor Score & Parts

By Georges Bizet/ Libretto by Henri Meilhac and Ludovic Halevy; Adapted from the Novel by Prosper Merimee

Item: 36-A343302
$70.00
Shipped

One moment…

Related Items

Carmen: Act IV (No. 26), March, Chorus, and Duet: Les voici! les voici! - Si tu m'aimes, Carmen: Serious Opera, Orchestra Accompaniment, Conductor Score

$25.00
View

Carmen: Act IV (No. 26), March, Chorus, and Duet: Les voici! les voici! - Si tu m'aimes, Carmen: Serious Opera, Orchestra Accompaniment, Oversize Score

$50.00
View

Carmen: Act IV (No. 26), March, Chorus, and Duet: Les voici! les voici! - Si tu m'aimes, Carmen: Serious Opera, Orchestra Accompaniment, Choral Score

$3.00
View
Description
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and frequently performed operas in the repertoire. It remains popular today, with songs such as the Habanera and Toreador Song among the best known of all opera arias. The climactic scene of Act IV unfolds outside the bullring in Seville: the festive march and chorus "Les voici! les voici!" ("Here they are! Here they are!") greet the entrance of the toreador Escamillo, creating a brilliant public spectacle that contrasts sharply with the private confrontation between Carmen and Don José. In the ensuing duet, Don José pleads desperately for Carmen's love ("Si tu m'aimes"), but her steadfast refusal leads to the opera's tragic final act of violence. Today this sequence stands as one of the most dramatically effective finales in opera, frequently performed in full productions and excerpted in concert. Instrumentation: 1+1(dFl2).2.2.2: 4.0+2(Crnt).3.0: Timp.Perc(2-3): Str (4.4.3.3.3 in set): Mix Chor: Chld Chor: Soli (Mz.B-Br). If only "Les voici! les voici!" is performed from this set, the piccolo need not double flute. Reprint edition.

Carmen: Act IV (No. 26), March, Chorus, and Duet: Les voici! les voici! - Si tu m'aimes, Carmen: Serious Opera, Orchestra Accompaniment, Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 612735595197
SKU: 36-A343302
Instrumentation: 1+1(dFl2).2.2.2: 4.0+2(Crnt).3.0: Timp.Perc(2-3): Str (4.4.3.3.3 in set): Mix Chor: Chld Chor: Soli (Mz.B-Br). If only "Les voici! les voici!" is performed from this set, the piccolo need not double flute.

More about this title

About the Composer: Georges Bizet

Georges Bizet (1838, 1875) was a French composer whose career, though brief, fundamentally shaped operatic tradition. His gift for memorable melody and dramatic orchestration emerged early, but he struggled for recognition until Carmen's controversial 1875 premiere at the Opéra-Comique. Though he died just months after opening night, the opera's rapid ascent into the standard repertoire vindicated his compositional vision and established him as a master of character, spectacle, and emotional directness.

For music educators, Bizet represents a turning point in operatic writing. He refused to separate "serious" opera from popular appeal, and his scores reward careful study of orchestration, vocal writing for multiple ensemble types, and dramatic pacing. Carmen's structure and orchestral color remain teaching tools for understanding how composers balance accessibility with sophistication.

Why we love this

This is opera at its most dramatically potent. The march and chorus create genuine spectacle with straightforward, singable orchestration, while the duet strips away all pageantry to expose raw human conflict. Conductors and singers love this sequence because it delivers both theatrical brilliance and intimate emotional stakes in a single, unified scene.

What to expect

Brilliant public festivity collides with intimate anguish. The march propels listeners forward with infectious rhythmic energy and bright orchestration, the chorus celebrates the toreador's arrival in vivid Spanish color, and then the duet strips everything down to two voices pleading against fate. Within minutes, you move from crowded plaza to private tragedy.

Who it's for

This score serves orchestras and opera companies performing the complete Act IV or extracting this sequence for concert programs. Conductors working with mixed choruses, children's ensembles, and soloists (mezzo-soprano as Carmen, baritone or bass-baritone as Don José) will find everything needed for a dramatically complete performance.

How to get the most out of it

  • Balance the choral sections carefully; the crowd must be exuberant without overpowering the orchestral detail that colors each dramatic turn.
  • Shape the march with clarity and forward motion through its structural phrases; avoid letting it become merely processional.
  • In the duet, allow rubato in Don José's vocal line to reflect his emotional desperation, while keeping the orchestra grounded and supportive.
  • Coordinate the children's chorus entry precisely with the adult mixed chorus; rehearse separately first, then integrate with careful attention to blend and balance.

How to use it

Program this sequence as a standalone concert piece for orchestras wishing to explore opera without committing to a full production. Alternatively, it serves as the climactic finale for a concert featuring excerpts from multiple Bizet works or other 19th-century opera highlights. Opera companies will use it as written within full Act IV productions.

Skills your students will build

  • Conducting mixed choruses in French with attention to diction and theatrical expression
  • Balancing soloists with full orchestra and choral forces
  • Interpreting 19th-century harmonic language and orchestral color
  • Managing contrasting dramatic moods within a single scene
  • Coordinating adult and children's ensembles with precision

You May Also Like