Caribbean Christmas: 3rd Percussion Sheet Music Preview

Caribbean Christmas: 3rd Percussion

Arr. Michael Story

Grade: 2 (Easy)

Item: 00-PC-0002195_PC3

Digital Download
$3.00
Description
This Michael Story rendition of "Angels We Have Heard on High" has a lot of style, adding the flavor of the islands to your holiday concert. Your percussionists will have the time of their lives and the trombones will love the flashy glissandos. The melody flows seamlessly from section to section. A new holiday classic with flair. (2:02)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Caribbean Christmas: 3rd Percussion comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
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Sample Video
Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 166
SKU: 00-PC-0002195_PC3

More about this title

About the Arranger: Michael Story

Michael Story is a prolific composer and arranger whose work spans concert band, jazz ensemble, and educational settings. His arrangements are known for accessible scoring that doesn't compromise on musicality or style, making sophisticated sounds achievable for young ensembles.

Why we love this

Story's treatment of this beloved carol transforms it into a genuine crowd-pleaser without sacrificing the tune's character. The Caribbean flavor feels earned and organic rather than gimmicky, and the built-in solo moments for trombones and percussion ensure that every section leaves rehearsal energized.

What to expect

Warm, spirited, and distinctly festive. The Caribbean harmonic coloring and rhythmic vitality give this familiar melody an island breeze; it's reverent enough for the text but playful enough to keep an audience leaning in.

Who it's for

Concert bands in grades 2-4 looking for a holiday selection that feels fresh and contemporary without being difficult. Directors who want their percussionists genuinely engaged and their brass section smiling through performance.

How to get the most out of it

  • Balance the calypso-influenced percussion parts so they enhance rather than overshadow the melodic sections. Their rhythmic energy drives the arrangement forward.
  • Shape the trombone glissandos with clear intention; they're a feature moment, so give performers freedom to voice them with character while maintaining musical line.
  • Let the melody breathe as it passes between sections. The seamless transitions Story wrote create momentum, so avoid rushed tempo changes that would interrupt the flow.

How to use it

Slot this into the second half of a holiday concert where you want to shift the mood and energy. Its accessibility and infectious character make it an excellent bookend to more traditional carols or a bridge between sacred and secular holiday selections.

Skills your students will build

  • Playing calypso and Caribbean rhythmic patterns
  • Balancing melodic sections with contemporary percussion accompaniment
  • Executing glissandos with musicality and control
  • Maintaining ensemble cohesion across sectional melody passages

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