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Caravan: Marching Band Conductor Score

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Caravan: Marching Band Conductor Score

By Irving Mills, Duke Ellington, and Juan Tizol / arr. Roland Barrett

Grade: 3 (Medium)

Item: 00-38566S

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Description
Check out this spectacular new arrangement of an Ellington jazz classic. The chart really takes off after a big and bold intro! You will hear some interesting new twists, making this a perfect piece for both the field and the stands! (2:10)

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Additional Details
Series: Premier Series for Marching Band
Publisher: Alfred Music
Page Count: 12
UPC: 038081437613
SKU: 00-38566S

More about this title

About the Composer: Irving Mills

Irving Mills (1894-1985) was a legendary music publisher, lyricist, and promoter who shaped the sound of American jazz during its formative decades. Though often working behind the scenes, Mills was instrumental in bringing Duke Ellington's compositions to wider audiences, collaborating on some of the Duke's most enduring works and helping establish them as standards of the jazz repertoire.

Why we love this

Roland Barrett's arrangement captures the essential swagger of the Ellington original while crafting something that breathes on the field. The bold intro immediately commands attention, and the chart's Latin and jazz inflections give your marching band permission to explore contemporary colors without sacrificing clarity or control.

What to expect

Caravan pulses with the urbane cool and rhythmic sophistication of mid-century jazz, reimagined for the marching field. The arrangement balances Ellington-era elegance with driving Latin percussion colors, creating an arrangement that feels both classic and contemporary.

Who it's for

Marching bands at the Grade 3 level looking to add sophisticated jazz and Latin repertoire to their field show or concert program. This arrangement works equally well for groups seeking accessible big-band energy with contemporary arranging touches.

How to get the most out of it

  • Lock the Latin groove in your rhythm section early in rehearsal; the entire arrangement hinges on a steady, confident pocket that feels both precise and relaxed.
  • Shape the dynamic arc carefully through the intro and into the main sections. The 'big and bold' opening needs space to land; resist the temptation to play at full volume throughout.
  • Balance the trumpet and saxophone lines so melodic phrases cut through without overwhelming the ensemble. Jazz voicings can muddy quickly if upper voices dominate.
  • Mark tempo precisely and hold it steady. The piece's effectiveness depends on groove consistency, especially across ensemble transitions.

How to use it

Program this during the season when your band is comfortable with jazz inflection and Latin rhythm fundamentals. It works brilliantly as a concert closer that sends the audience out energized, or as a field show anchor that demonstrates your group's versatility beyond traditional march repertoire.

Skills your students will build

  • Playing with swing articulation and jazz phrasing
  • Maintaining groove in Latin-influenced meters
  • Balancing multiple melodic lines in jazz voicings
  • Sectional independence in ensemble contexts
  • Responding to conductor interpretation of tempo and dynamics

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