Car-Tune Cover Image

Car-Tune: Brass Band Conductor Score & Parts

$35.00 USD
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Car-Tune Cover Image

Car-Tune: Brass Band Conductor Score & Parts

By Kenneth Bray / arr. David Marlatt

Level: Medium

Item: 81-BB2233

$35.00
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Description
This is a fun closer or encore to a concert and it features some technical flourishes in the soprano and euphoniums. The name "Car-Tune" refers to the sound of the horn of the old European sports cars. This is a thrilling original by Kenneth Bray that shows off his musical sense of humour and his creative scoring of colourful percussion. It is full of surprises and is a sure success at the end of a concert.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-157-1
ISBN13: 978-1-55472-157-3
UPC: 685462000319
SKU: 81-BB2233

More about this title

About the Composer: Kenneth Bray

Kenneth Bray has built a reputation as a composer who understands the brass band idiom from the inside. His work combines technical writing with an instinct for what actually works on the bandstand, never losing sight of the human performers who will bring his music to life.

Why we love this

Kenneth Bray's sense of humour comes through clearly in the writing here, and the technical demands on soprano and euphoniums give your strongest players something genuinely fun to sink their teeth into. The percussion scoring is inventive without overwhelming your ensemble, and the whole piece radiates the kind of unpredictability that keeps audiences engaged right through to the final chord.

What to expect

Bray channels the playful spirit of vintage European sports cars, all bluster and charm with unexpected twists under the bonnet. The piece darts and glides, mixing technical flourishes with moments of genuine delight, never overstaying its welcome.

Who it's for

Brass bands with confident soprano and euphonium players who relish a challenge and an audience that appreciates wit alongside technical display. This is ideal for ensembles comfortable with lighter material but not afraid of real musical substance.

How to get the most out of it

  • Bring clarity to the soprano passages; they sit high and exposed, so intonation and articulation shape the ear's perception of the entire ensemble.
  • Balance the euphonium features carefully so they register as delightful showcase moments rather than unmoored solos.
  • Let your percussion section own the colour and texture; Bray's orchestration hinges on their timing and precision, so rehearse those layers independently first.
  • Commit to the humorous intent. If the ensemble plays it straight, the fun evaporates. Give yourselves permission to enjoy the surprises.

How to use it

Save this for the final number of your concert. Its energy, surprise factor, and deliberate lightness make it the perfect palette cleanser after more substantial works, leaving your audience smiling as they leave.

Skills your students will build

  • High register accuracy in soprano cornet
  • Technical articulation and tonguing in extended passages
  • Balancing features and accompaniment roles
  • Responding to harmonic colour changes driven by percussion
  • Ensemble precision in syncopated and off-beat rhythms

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