Capriccio, Opus 14: Bassoon & Piano Part(s)

$8.95 USD

Capriccio, Opus 14: Bassoon & Piano Part(s)

Name: Capriccio, Opus 14: Bassoon & Piano Part(s)
Brand: Alfred Music
SKU: 00-K04138
Price: 8.95 USD
Availability: InStock

By Julius Weissenborn

Item: 00-K04138

$8.95

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A Bassoon Solo, composed by Julius Weissenborn.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Capriccio, Opus 14: Bassoon & Piano Part(s) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Kalmus Edition

Publisher: Alfred Music

Page Count: 20

ISBN10: 0-7579-0336-3

ISBN13: 978-0-7579-0336-6

UPC: 654979994954

SKU: 00-K04138

Instrumentation: Bassoon & Piano

More about this title

About the Composer: Julius Weissenborn

Julius Weissenborn (1837-1888) was a German bassoonist and composer who became one of the most significant voice teachers for the instrument in the 19th century. His technical studies and concert works remain central to bassoon pedagogy and performance, prized for their musicality and their ability to develop both agility and singing tone in the hands of advancing students.

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Why we love this

Weissenborn's Capriccio sits at the sweet spot between technical display and genuine lyricism, giving bassoonists the chance to show off rapid passagework and articulation without sacrificing the instrument's warmth. The piece has earned its place in auditions and festivals because it genuinely sounds good in a recital context and doesn't feel like work to listen to.

What to expect

Capriccio balances capricious energy and songfulness, shifting between moments of brilliant facility and intimate lyricism. The piece has the character of a musician thinking aloud, pivoting between playful technical display and genuine introspection.

Who it's for

This work suits advanced high school or college bassoonists preparing for solo competitions, festival performances, or recitals. It demands technical security and tonal maturity but rewards careful practice with a piece that audiences recognize as a legitimate concert statement.

How to get the most out of it

Anchor the lyrical passages with a warm, singing tone before tackling the faster material; the contrast between expressive sections and technical runs becomes more striking when each is fully committed.
Work the coordination between your articulation and the pianist's accompaniment in the rapid figures; Weissenborn's figuration demands clean precision but not mechanical detachment.
Shape the longer melodic lines with subtle phrase arcs rather than inflating dynamic levels; the piece rewards control and direction more than volume.
Isolate the intervallic leaps in the technical passages and practice them with double-tonguing if you use that technique; landing accurately builds confidence and allows you to breathe musically.

How to use it

Program this as a solo recital opener or mid-program gem to showcase your bassoonist's range and musicality. It pairs well with works in contrasting styles (baroque, contemporary, or lighter romantic fare) and stands confidently as a five-to-seven-minute centerpiece.