Capriccio Cover Image

Capriccio: Piano x2, 4 Hands

$86.00 USD
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Capriccio Cover Image

Capriccio: Piano x2, 4 Hands

By Mario Davidovsky

Item: 98-EP67086

$86.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 20
ISBN10: 0-30-073475-1
ISBN13: 979-0-3007-3475-0
SKU: 98-EP67086

More about this title

About the Composer: Mario Davidovsky

Mario Davidovsky (1934-2018) was an Argentine composer whose career spanned classical and contemporary idioms. He studied in his native Buenos Aires before moving to the United States, where he became a central figure in twentieth-century composition, blending rigorous structural thinking with expressive lyricism.

Why we love this

Capriccio showcases Davidovsky's gift for transparent, engaging writing that avoids unnecessary complexity while maintaining genuine musical substance. For four-hand pianists seeking repertoire that rewards serious musicianship without excessive technical posturing, this piece strikes an ideal balance between accessibility and artistic depth.

What to expect

The work captures the spirit of a musical caprice: spirited, imaginative, and willing to follow surprising harmonic and structural turns. Davidovsky's language feels both modern and deeply pianistic, balancing introspection with moments of playful energy.

Who it's for

Advanced amateur and pre-professional piano duos preparing recital repertoire, and upperleveled secondary students exploring twentieth-century composition through performance. Teachers of chamber piano will find this piece valuable for developing ensemble listening and shared interpretive responsibility.

How to get the most out of it

  • Balance the dialogue between primo and secondo parts so that thematic material emerges clearly regardless of which hand carries the line; Davidovsky's transparent scoring depends on sensitive dynamic control.
  • Establish a secure sense of ensemble unity in the opening gestures before developing character and expression; rhythmic precision in the first pages unlocks freedom later.
  • Attend to the harmonic language throughout; Davidovsky's modernist vocabulary often unfolds gradually, and patience with unconventional sonorities allows listeners to absorb the work's logic.

How to use it

Feature this piece in a recital pairing twentieth-century chamber works, or program it as a contemporary complement to Classical-era four-hand sonatas. Its 20-page length makes it substantial enough to anchor a solo-piano-duo section of a concert without overwhelming the program.

Skills your students will build

  • Ensemble coordination in contemporary idiom
  • Reading modernist harmonic language
  • Balancing contrapuntal lines between primo and secondo
  • Interpretive independence within a four-hand partnership
  • Sight-reading facility in non-traditional harmonies

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